After what seemed like a lifetime of waiting in the wings, literally in a corner behind the building hoisted up on what looked like a hydraulic lift from Jiffylube, Milord LaChamarre (My Lord of the Fancy Vest), one of Philadelphia’s best public art works, is in a better place.
Read MoreSometimes a show can be too big. Andrea talks about the new, 277+-work exhibition combining outsider and mainstream art at the National Gallery of Art in Washington, D.C., and says it includes many gems that are wonderful to see, but that the show breaks no new ground and winds up overwhelming even the hard-bitten art lover. She provides a few tips on what’s not to be missed.
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