Sheila Hicks; 50 Years at the Institute of Contemporary Art (ICA), University of Pennsylvania through August 7, 2011 is likely to knock you off your feet with its power and get you high on color; it will certainly expand your idea of what can be made out of yarn and second-hand clothes. The survey of more than ninety works ranges from the monumental May I have this Dance? (2002-03), whose cable-like forms burst out of the far corner of the ICA’s double-story space and fall in loops across twenty-five feet of floor, to the series of flat works, no more ... More » »
Exhibition catalogs often include an interview with the artist along with an in-depth essay or two. Of course there’s also those glossy color plates like eye candy — all of which makes these documentary books fabulous to look at and read and useful in extending the life of the show. Two recent catalogs (and one show brochure ) that do the Q&A well are the ICA’s slim, notebook-like volume, “Mineral Spirits,” for the Anne Chu and Matthew Monahan exhibit (closing Sunday, Dec. 5); “Thomas Nozkowski,” the catalog for the artist’s exhibit at Pace (closing Saturday, Dec. 4); and “Paul Cava ... More » »
The plane to Chicago for the College Art Association (CAA) Annual Meeting left from a concourse I rarely use so I saw different art than usual as part of the airport’s Exhibition Program, which certainly provides the best distraction I’ve found at Philadelphia International Airport. Nick Kripal’s Swarm was a terra cotta landscape of an alternative, multi-culti character with forms cribbed from the kitchen cabinets; what looked like a Moorish dome turned out to have been cast from a pudding mold! I’d love to see him do animations based on them.