Barry Bergdoll and Leah Dickerman’s Bauhaus 1919-1933; Workshops for modernity (2009, Museum of Modern Art, New York, ISBN 978-0-87070-758-2), the catalog for MoMA’s exhibition of the same name, would serve as an excellent introduction to the Bauhaus for a serious scholarly or general audience. The book, as did the exhibition, addresses the Bauhaus primarily as an educational institution, rejecting common usage of the term to describe a style, often associated with modernism in general.
The only thing dull about The Robert and Jane Meyerhoff Collection at the National Gallery of Art: Selected Works (NGA) through May 2, 2010 is the exhibition title. I’d rather call it, with apologies to Wallace Stevens, Ten Ways of Looking at a Painting, with further apologies for the handful of drawings, prints and 3-dimensional works; it is overwhelmingly a paintings exhibition. The works, some already donated, the remainder promised to the NGA, are superb and the curatorial decisions intelligent, provocative and subtle. Harry Cooper, curator of modern and contemporary art, arranged ten sections, each labeled with a subject to ... More » »