Barry Bergdoll and Leah Dickerman’s Bauhaus 1919-1933; Workshops for modernity (2009, Museum of Modern Art, New York, ISBN 978-0-87070-758-2), the catalog for MoMA’s exhibition of the same name, would serve as an excellent introduction to the Bauhaus for a serious scholarly or general audience. The book, as did the exhibition, addresses the Bauhaus primarily as an educational institution, rejecting common usage of the term to describe a style, often associated with modernism in general.
I’ll admit it up front: I like small exhibitions. I’ve seen too many monographic shows in major museums where an artist looks less interesting after an entire career is lined up than when represented by one work at a time. Besides, I’d rather spend half an hour with 20 carefully-chosen works than an hour and a half with the 350-400 works in too many exhibitions (that being my maximum uninterrupted time-span, and rather more than most visitors, I’d suspect). So I’m happy to call attention to two small exhibitions in D.C. of fewer than a baker’s dozen pieces each, both ... More » »