Christopher Davison usually works small. His drawings and prints are dark, fairy tale dreamscapes that involve enormous numbers of details made with a wide variety of mostly tiny marks. But when the opportunity arose to create a wall-scale piece — a mural, in fact, on a gallery wall — Davison took a leap of faith and plunged right in. The resulting black and white mural in Gallery 817 at University of the Arts was a triumph of content, style, imagination and just plain hard work — a perfect scaled-up translation of the artist’s dreamy and threatening aesthetic into gargantuan proportions.
Kitty, my Milwaukee buddy, and I spent a misty afternoon with Cate two Sundays ago walking around lower Manhattan and going to the New Museum’s Skin Fruit show. Part of our downtown walk was inspired by Calvin Thompkins’ New Yorker article about the $5 million mural by Julie Mehretu. $5 million? Kitty, who paints murals in Milwaukee, wanted to see this thing, and so did I.