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Tag Archive "pop-art"

Southern men accused of a race murder

From the vault — January 2007 — Rosalyn Drexler at Pace-Wildenstein

[In celebration of artblog’s 10-year anniversary in 2013, we’re bringing you posts from the past. Here, Roberta raves about a 2007 retrospective of pop artist Rosalyn Drexler’s work — the artblog editors] Painter of pop noir, Rosalyn Drexler, whose collage paintings from the 1960s blew us away when they appeared at Rosenwald-Wolf Gallery in 2004, is having a solo show at Pace Wildenstein Gallery [which returned to being the Pace Gallery in 2010]! This is excellent news for all who are interested in correcting art history’s record and including strong artists like Drexler who were overlooked the first time around. I interviewed Drexler ... More » »

tastier_0028-1

Leslie Friedman’s Tastier at Space 1026

—>Alyssa visits Space 1026 for the frank, Pop-art treatment of our crass commercial landscape by Leslie Friedman, one of the founders of the alternative gallery Napoleon. –the artblog editors—————————-> Leslie Friedman knows her way around a suggestive mise-en-scène. That much is clear after about a millisecond of looking at “Tastier,” her show at Space 1026; from every angle, the pieces deftly skewer the culture of materialism and do it stylishly, with maximum symbolic impact. Using time-honored icons of the culture — naked women, Coca-Cola — and tropes of pop art, “Tastier” is nothing we haven’t seen before. Its arrangement and choice ... More » »

Alina Szapocznikow two Sculpture-Lamps c. 1966-70 polyester resin and electrical wiring

Catalog Reviews – Alina Szapocznikow, Made in L.A., Now Dig This!

Elena Filipovic, Joanna Mytkowska, et al. Alina Szapocznikow; Sculpture undone (Museum of Modern Art, New York and Mercatorfonds, Brussels: 2011) ISBN 978-0-87070-824-4 This catalog accompanies the first substantial exhibition of the Polish sculptor,  Alina Szapocznikow (1926-1973) to be seen outside Poland, and is a thorough and considered introduction to her work. The exhibition was organized jointly by WEILS Contemporary Art Centre, Brussels, and the Museum of Modern Art, NY (MOMA), where it is currently on view. I saw the exhibition in Los Angeles this winter. It is a stunner, and a reminder that the dominant theme in the history of ... More » »