The epitath for Clemens von Wedemeyer‘s The Fourth Wall, through Jan. 29, 2011 at Project Arts Centre, Dublin, might be Anthropologist, heed thyself. The three-channel installation, supported by a printed guide, explores story-telling, the search for human origins, the credibility of film, the responsibility of anthropology and our tendency to view the world through expectations honed by legend and desire. The video one sees on entering the gallery, Found Footage, centers on the first contact, in 1971, with the Tasaday, a tribal group in the Mindano rainforest of the Philippines. The tribe had been living a Stone Age existence in ... More » »
It’s rare, but much more interesting, to find serious museums who are willing to take a focused look at art of particularly local interest rather than seeing yet again the same handful of artists who are fashionable at the moment throughout international art circles. I saw fascinating exhibits in July at The Dublin City Gallery The Hugh Lane and Project Arts Centre of two generations of artists whose themes are Irish national identity (not individual identity, as was of interest to Americans since the 1980s) during periods of change.