installation view of From Taboo to Icon: Africanist Turnabout at the Icebox Project Space, Crane Arts Building, photo Libby Rosof I headed to the Crane Building Saturday primarily to see an exhibition with an intriguing title: From Taboo to Icon; Africanist Turnabout – the premise being that work either derived from or in response to African aesthetics is central to artists of the African diaspora and has been relatively excluded by mainstream (e.g. white) institutions. Organized under the auspices of Temple University by Sophie Sanders, a PhD student in art history, and artist Shervon Neckles, it filled two very large ... More » »