Jenny Jasky is Philadelphia’s loss and New York’s gain; she recently moved and already found an outlet, curating an exhibition at NYCAMS (New York Center for Art and Media Studies) with Stamatina Gregory. Incarnational Aesthetics (Oct. 24-November 25, 2009) is one of those idea-driven exhibitions where I found the work provocative but couldn’t entirely reconcile it with the curators’ statement: to showcase artists who use embodiment or ‘role play’ in their work as a means of interrogating and deconstructing the public and private boundaries between self and other.