This exhibition inaugurated Sue Spaid’s directorship at the Contemporary with a bang and a guffaw (and quite a few chuckles). LOL; A decade of antic art was a tightly-packed survey of artists or collaboratives whose work during the past decade involved satire, parody and pranks which ranged from engaged political seriousness to everyday fun. The exhibition ran from June 10-Sept. 4, 2011, and I apologize for getting there the final weekend, which makes this review retrospective. It was well worth the100-mile trip from Philadelphia.
It may be a recession year, but 2010 saw a whole lot of good art stuff happening in Philadelphia. Here’s our annual awards roundup! 6 best shows of 2010 that we saw: Mika Rottenberg @Mary Boone Paul Outlaw and Jennifer Catron’s The Honeymooners @Grizzly Grizzly Value City @Little Berlin Failure to Show @Extra Extra Philagrafika @Temple Gallery (especially for Heavy Industries) Bauhaus @MoMA
Last week Temple announced the hiring of Robert Blackson as Director of Exhibitions at Tyler School of Art. Today comes the announcement from the Contemporary Museum in Baltimore of Sue Spaid’s appointment as Executive Director of the museum. While in Philadelphia, Spaid headed up the Abington Art Center’s exhibition program and also taught Engineering Ethics and Aesthetics at Drexel University. She will join the Contemporary Museum Dec. 13. We should say here that we know Spaid and are big fans of her writing, curating and thinking. Earlier this month ICA announced Jenelle Porter’s move to ICA Boston. As of January, ... More » »
The weather on Thursday evening, November 4, could have set the stage for the opening segment of a mystery movie. Instead, the chilly air and endless stream of rain provided a conspiratorial accompaniment to the appropriately titled Wind Challenge Exhibitions at Fleisher Art Memorial, on view through November 20. Although the title was grounded in a far more practical origin than the elements – the surname of its principal funders, Dina and Jerry Wind – it added a touch of irony to the bedraggled guests that trickled in for the gallery talk at Fleisher that night.
By Sue Spaid For the past three years, I have followed the debate surrounding the Barnes Foundation’s move from Merion to Benjamin Franklin Parkway with great interest. October 12th’s discussion on Marty Moss Coane’s radio show with architecture critics Inga Saffron and Nicolai Ouroussof inspired this editorial. There seems to be a great confusion about what the Barnes Foundation is.
This summer heat’s hard to endure so we’re going to tell you about a trip we took to nice shady cool Abington Art Center. Abington has this really great sculpture garden and generally we make that trip at least once a year. There’s a new show in the garden and woods that just opened and will be up through Nov. 30, Endurance: Visualizing Time.