The essay accompanying Dematerialization, up now at Pterodactyl Gallery in Kensington, includes the observation that “many contemporary artists and art productions have aligned with minimalist Donald Judd’s 1965 declaration of ’disinterest in doing [painting and sculpture] again.’” In the work on display in Dematerialization, curated by Jamie Png, this “disinterest” has extended to a negation of artistic intent, narrative, and in some cases even aesthetic appeal. Many pieces conceptually show art as providing an open-ended experience, rather than an intentional creation, while others question the essential presuppositions of the art world. This type of experimentation is a delicate tight-rope for artists ... More » »
The search for a single unifying principle–a mathematical formula, or the atom, or God–is the sort of romantic obsession that underlies the Institute of Contemporary Art exhibit Anne Tyng: Inhabiting Geometry.