The absurdities that Magritte quietly broadcast are possible in this and any universe; meaning, one realizes, is ultimately in flux. But Berger and Magritte charge the viewer with the responsibility of working out the real, and ultimately that which is critical and consequential. How to do that, how to decode reality? Perhaps only with our greatest tool and its full arsenal of flavors: language. Language, which got us in trouble to begin with.
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