Tag Archive "tom-judd"
CAi’s “Summer Phase” in Chestnut Hill windows
by Clarissa Shanahan Chestnut Hill Arts Initiative’s premiere show, ‘Summer Phase’, proved to be a thoughtfully curated blend of conceptual installations in a variety of mediums, featuring the work of ten different artists.This was a particularly contemporary and progressive show in an otherwise conservative area.
Wilmington happenings–New! and baseball
There’s a confluence of two shows of note now up in Wilmington. I regard that as an occasion to say, here’s a good time to get down there. One is the New! annual juried show at the Delaware Center for the Contemporary Arts (to July 25) and one is the Rules for Staying Young, a baseball themed show (to May 30) at the New Wilmington Art Association‘s current venue, 4 W. 5th St., Wilmington. I haven’t seen the latter, and Roberta juried the former, so there’s only so much I can say about the shows in all fairness. But surely ... More » »
Projects and art fair postscript
Voice Mail, by Orly Cogan In light of Roberta’s post on copyright, it seems like just the right time to mention that Recycled, the show at Projects Gallery until the 25th, includes art using materials borrowed from elsewhere, including coloring book pages. I’m trying to imagine the young artist who did the coloring, taking artist Tom Judd to court for infringement of intellectual property rights. Meaning of Life #37, by Tom Judd, 12 x 12″, oil/collage/panel Anyway, a some new faces are showing up at Projects. Included in the new crowd is Orly Cogan, a sewer of recycled artifacts–this one ... More » »
The Bridge and the Beach
Post by Andrea Kirsh Our trusty correspondent Andrea Kirsh reports from Art Basel/Miami Beach, in four installments. Here’s the third.–r&l Dec. 8Back to the Beach I began the day with a breakfast at the Delano Hotel on Miami Beach, hosted by AXA Art (the world’s largest art insurer) and NetJet, a sort of Philly_Car_Share for private jets, 300 of which they had flown into AB/MB. That tells you something about the socio-economics of the audience. It was a discussion about conservation, care of collections and dealing with art in a natural disaster. Heather Becker of the Chicago Conservation Center discussed ... More » »
