Now in its 75th year, the Whitney Biennial is still the big kahuna—the show every American artist wants to be in and every art lover wants to see. This year, the career-boosting show includes no Philadelphia artists. Instead, the curators of this national show sought talent in Chicago, Oregon, Los Angeles and, of course, New York. They rounded up 55 artists and, for the first time, more than half were women. Reflecting our times of war and global recession, the show is a somber parade, sometimes tedious, sometimes achingly beautiful, with a surprising number of photographers and video artists channeling ... More » »
Now in its 75th go-round, The Whitney Biennial is still the big kahuna, the show every American artist wants to be in and every art lover wants to see. This year the career-boosting show includes no Philadelphia artist. We had representation in 2002, 2004, 2006 and 2008 — so much for that trend. Instead, the curators went to Chicago, Oregon, Los Angeles and, of course, New York for the 55 artists, more than half of them women (a first) and many of them under the national radar.
Quiet, a little sad, introspective, and not a lot of beauty. Those are how I’d sum up this year’s Whitney Biennial, now celebrating its 75th edition. After the ebullient excess of 2008, in which more than 80 artists exploded beyond the bounds of the museum, taking up residence in the nearby armory, and pock marking Central Park, a mere 55 artists certainly reflects a societal time of retrenchment and self-reassessment. It’s as if America is no longer the youthful shiny penny it used to be. Well, that would be right. It’s not. And this is the Whitney Biennial that reflects ... More » »
Hi everybody, we’re off to New York today to the press preview of the Whitney Biennial. 50 artists (none from Philadelphia — boo!), everything all inside the one building (unlike last time when art was off site and temporary and if you missed it you missed it). Sounds good on a rainy day. We’ll take pictures and report soon.