The Fabric Workshop and Museum, founded in 1977 by arts visionary Marion “Kippy” Boulton Stroud, is celebrating its 40th birthday with a major retrospective exhibit. Process and Practice: 40 Years of Experimentation hilights archived ephemera from the institution’s famed artist-in-residence program that has been preserved for decades in “artist boxes.” Artblog’s Imani Roach spoke with Susan Lubowsky Talbott, the Museum’s Executive Director, about exhibiting “failures,” engaging the public, and her legacy. What was the most surprising thing she discovered in those artist boxes? Listen to find out. Imani interviewed Susan at the Fabric Workshop and Museum on January 9th, 2018; the podcast is 30 minutes long.
Read MoreYou’ve probably seen Kelli Morgan around town, presenting her research, working with students, moderating conversations with artists, and generally staying busy as PAFA’s first Winston & Carolyn Lowe Curatorial Fellow for Diversity in the Fine Arts. Now she’s heading off on a new adventure as Associate Curator of American Art at the Indianapolis Museum of Art at Newfields. Artblog’s Imani Roach spoke with the Detroit native on the eve of her departure about her unconventional path to museum work and her fresh vision for curating the American canon. Listen to hear her advice for aspiring young curators and much more. Imani interviewed Kelli at Moore College of Art and Design’s TGMR radio station on January 3rd, 2018; the podcast is 39 minutes long.
Read MoreWit Lopez is a fiber artist, performer and independent curator whose work encourages audiences to touch, manipulate and even wear it. Artblog’s Imani Roach spoke with this former theater kid about accessibility, performing for the camera and confronting their body as a spectacle. Can marginalized artists use humor to subvert their relationship to art institutions? Listen to find out. Imani interviewed Wit at Moore College of Art and Design’s TGMR radio station on December 12th, 2017; the podcast is 34 minutes long.
Read MoreCarolyn Lazard uses the experience of chronic illness to explore themes of intimacy, labor and living in relation to others. With a background in video art, Lazard develops her ideas across a range of media including photo, performance, sculpture and the written word. Artblog’s Imani Roach spoke with her about returning to her Southeastern PA roots and how disabled artists are changing the pace of institutions. Is there such a thing as JOMO (Joy Of Missing Out)? Listen to find out. Imani interviewed Carolyn at Moore College of Art and Design’s TGMR radio station on October 12th, 2017; the podcast is 41 minutes long.
Read MoreArtblog recently hosted a lively panel discussion on the Future of Art Writing in conjunction with our 3rd annual New Art Writing Challenge. Our dynamic panelists included artist and Bmore Art contributor, Alexandra Oehmke, performer organizer and writer, Catherine Rush and writer and theater-maker Carlos Roa. The panel was held on Wednesday, October 4th, 2017 at the Galleries at Moore and moderated by Matt Kalasky; the podcast is 76 minutes long.
Read MoreArtblog’s Imani Roach spoke with artist Lane Speidel about their experiences as an early childhood educator and curator of Make A Space For Me, a performance series for trans, non-binary, and gender non-conforming artists, makers, thinkers and audiences. In their own artistic practice, Lane uses performance to re-establishing control over their body in the face of personal trauma and the daily demands of life under capitalism. Across all platforms of their work, safety is a paramount concern— proper grammar, less so. Find out why! Imani interviewed Lane at Moore College of Art and Design’s TGMR radio station on Sept. 21st, 2017; the podcast is 50 minutes long.
Read MoreArtblog’s Imani Roach and Roberta Fallon talked with Taji Ra’oof Nahl about his complex art practice that includes collaboration at its core. Nahl ran his own gallery in Old City from the late 1980s to 2010, where he showed, among others, Terry Adkins’ work. Taji was a friend of Adkins, and their practices both involve music, found objects, and researching under-known African American historical figures. In the interview Nahl tells Imani and Roberta about discovering the Colonial-era polymath, Benjamin Banneker, who became the subject of his installation in ‘Unlisted,’ the big multi-curator, multi-artist show at Icebox Project Space in 2016. We interviewed Taji Nahl at Moore College of Art and Design’s TGMR radio station on Sept. 14, 2017, and the podcast is 37 minutes long.
Read MoreCarl(os) Roa is bringing Andean Mountains, his Fringe Festival solo performance, to Taller Puertorriqueño Sept. 7-15, 2017. Roa tells Roberta and Imani that Andean Mountains is about a generational displacement between Latin youth who love anime and manga and their elders’ who love telenovelas. How can the children of immigrants reconcile the various streams of culture coming at them? By repurposing familial culture and making it your own, says Roa. Andean Mountains will have digital elements, movement, and storytelling, in English and Spanish. Get your tickets now, this is going to be great!
Read MoreEarlier this year, Karen Chernick wrote about the missing Royal Theater mural, a history mural on South Street commemorating the legacy of the Royal Theater, a once-thriving black theater where Billie Holiday, among many others, gave concerts. The mural, painted by Eric Okdeh depicted jazz greats who played at the Royal, and neighborhood greats, like Ron Washington, of Ron’s Ribs, a restaurant landmark at 1627 South St., across from the theater. In this podcast, Roberta and Imani Roach (Artblog Managing Editor) speak with Brandon Washington, son of Ron. Brandon talks about the neighborhood, his father’s important role as a community leader and of his own and his brother’s hope to revive Ron’s Ribs in the future in a Ron’s Ribs food truck.
Read MoreIn this podcast interview, Matt Kalasky talks with Amanda Buck and Alexa Smith, two of the editors of Apiary Magazine, a beautiful Philadelphia literary publication in print and online, started in 2009 and publishing a wide variety of community voices, in a variety of genres including poetry, fiction and non-fiction. Apiary also includes visual art.
Read MoreRon Klein is an artist, a sculptor who thinks big, travels the world to research and find materials, and whose works evoke the cosmos and thoughts about the place of humans in a bigger context. Ron’s got an installation at Abington Art Center now through June 23. Don’t miss it.
Read MoreIn the gig economy many artists work multiple jobs. Grimaldi Baez works about seven, most of them in the community art realm, where he teaches and leads projects. For the Yabucoa, Puerto Rico-born, US-raised artist committed to idea of social justice, it makes for an exhausting but fulfilling life. Among other things in this wide-ranging interview, Grimaldi tell us how he relaxes.
Read MoreEnjoy this podcast with Douglas Witmer, in which he talks about his community project, “Neighbor Who,” and about his love of art and music, and his family’s roots in the Mennonite community in Lancaster County, where he grew up, although not, he says, driving around in a horse-drawn carriage.
Read MoreBetty Leacraft has been making art with fibers since she was young and learned how to sew from her maternal grandmother. Respectful of those early teachings and thirsty for learning about her ancestors, Betty has studied the fibers practices of her African ancestors and traveled to Ghana. She and her work have traveled to South Africa, as part of the Women of Color Quilters Network, to participate in an international exhibition there. Outside of the art school traditions and acting as what she calls a “cultural custodian,” the artist teaches workshops in fiber art in her West Philadelphia neighborhood and many other places in Philadelphia and has been recognized five times by the Leeway Foundation. Betty participated in the Mural Arts Program’s 2015 Neighborhood Time Exchange program and is part of the PMA’s Philadelphia Assembled project that will debut this Spring.
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Support for Artblog has been provided by The Philadelphia Cultural Fund.