Though still in her early-30s, local renaissance woman Lauren NeFesha has already lived many lives. Now this former fashion student (and nationally-ranked boxing champion) is making a name for herself as a songwriter and mosaic artist. She chats with Artblog’s Imani Roach about speaking up for the most marginalized among us and allowing curiosity to be her guide without judgement. What do a mosaic and a boxing match have in common? Listen to find out. Imani interviewed Lauren at Moore College of Art and Design’s TGMR radio station on March 16th, 2018; the podcast is 33 minutes long.
Read MoreKara Springer works at the intersection of sculpture, photography and language to activate bodies in space. Born in Barbados and raised in Ontario, Canada, this former industrial designer grounds her minimalist aesthetic with careful attention to history and geography. Springer speaks with Artblog’s Imani Roach about diaspora, legibility and her current installation at The Galleries at Moore — Ten Days Before Freedom, a Hymnal. What can perilous landscapes teach us about the nature of built space? Listen to find out. Imani interviewed Kara at Moore College of Art and Design’s TGMR radio station on February 26th, 2018; the podcast is 34 minutes long.
Read MoreAs a Chinese-born artist making a life for herself in Philadelphia, Yixuan Pan thinks a lot about translation and the limitations of language. In fact, since earning her MFA from the glass department at Tyler School of Art last year, she has built a rich and varied practice around the insights gained from living with confusion. Here she speaks with Matt Kalasky, ahead of her February 28th collaborative performance at Vox Populi Gallery, about starting with wonder and chasing art across media. Can a conversation where no questions are allowed qualify as studio time? Listen to find out. Matt interviewed Pan at Moore College of Art and Design’s TGMR radio station on February 13th, 2018; the podcast is 21 minutes long.
Read MoreArtblog had a little soiree with our family of contributors. We love to talk and had so many great conversations! This video by our contributor, Carly Bellini, captures the spirit of the night in a nice compact 55 seconds. Thank you, family friends, for donating good food and beverages, and thanks, all who came out, for making the night sparkle. See you next time!
Read MoreThe Fabric Workshop and Museum, founded in 1977 by arts visionary Marion “Kippy” Boulton Stroud, is celebrating its 40th birthday with a major retrospective exhibit. Process and Practice: 40 Years of Experimentation hilights archived ephemera from the institution’s famed artist-in-residence program that has been preserved for decades in “artist boxes.” Artblog’s Imani Roach spoke with Susan Lubowsky Talbott, the Museum’s Executive Director, about exhibiting “failures,” engaging the public, and her legacy. What was the most surprising thing she discovered in those artist boxes? Listen to find out. Imani interviewed Susan at the Fabric Workshop and Museum on January 9th, 2018; the podcast is 30 minutes long.
Read MoreWe are very sad to report the passing yesterday of our friend, A.M. Weaver. Her exit from this earth creates a big hole in the art world and a bigger hole in our hearts. We know many of you were friends of hers, worked with her, were mentored by her, and are mourning her loss as we are. We will let you know about a memorial service for A.M. as soon as we hear.
Read MoreYou’ve probably seen Kelli Morgan around town, presenting her research, working with students, moderating conversations with artists, and generally staying busy as PAFA’s first Winston & Carolyn Lowe Curatorial Fellow for Diversity in the Fine Arts. Now she’s heading off on a new adventure as Associate Curator of American Art at the Indianapolis Museum of Art at Newfields. Artblog’s Imani Roach spoke with the Detroit native on the eve of her departure about her unconventional path to museum work and her fresh vision for curating the American canon. Listen to hear her advice for aspiring young curators and much more. Imani interviewed Kelli at Moore College of Art and Design’s TGMR radio station on January 3rd, 2018; the podcast is 39 minutes long.
Read MoreWe hope you have a wonderful 2018, beginning with love and ending with love and affirmation…and lots of art and art making and art loving, too! We love having your friendship and are thankful each year for your support!
Read MoreWit Lopez is a fiber artist, performer and independent curator whose work encourages audiences to touch, manipulate and even wear it. Artblog’s Imani Roach spoke with this former theater kid about accessibility, performing for the camera and confronting their body as a spectacle. Can marginalized artists use humor to subvert their relationship to art institutions? Listen to find out. Imani interviewed Wit at Moore College of Art and Design’s TGMR radio station on December 12th, 2017; the podcast is 34 minutes long.
Read MoreDear readers, this week we are publishing articles by the honorable mention winners in the 2017 New Art Writing Challenge. Thank you to all of you who submitted your writing. Co-founder of the New Art Writing Challenge, Matt Kalasky, penned this lovely introduction for you…”I often use the analogy that art writing has become a fixed tool in the service of criticism. Like we are stuck using the same monkey wrench no matter what type of art we are talking about; no matter what type of art viewer we are; no matter what reader we are trying to reach. The winners of this year’s New Art Writing Challenge have, each in their own way, thrown aside the usual tools and have shown us the power of cooked spaghetti — or a flower — or a diary entry to talk about art. The best stopped trying to make sense of the work and started to unravel the art deeper into a personal mystery that epitomizes the experience of two humans looking at each other through art. This contest didn’t generate these new perspectives and manners of looking but rather it has illuminated the spectrum of writing that has always existed. This is an art writing landscape as complex, enigmatic, and empathetic as the art it examines. Get reading!” — Matt Kalasky, Co-founder, New Art Writing Challenge
Read MoreDear readers, today we begin publishing articles by the cash prize and honorable mention winners in the 2017 New Art Writing Challenge. Thank you to all of you who submitted your writing. Co-founder of the New Art Writing Challenge, Matt Kalasky, penned this lovely introduction for you…”I often use the analogy that art writing has become a fixed tool in the service of criticism. Like we are stuck using the same monkey wrench no matter what type of art we are talking about; no matter what type of art viewer we are; no matter what reader we are trying to reach. The winners of this year’s New Art Writing Challenge have, each in their own way, thrown aside the usual tools and have shown us the power of cooked spaghetti — or a flower — or a diary entry to talk about art. The best stopped trying to make sense of the work and started to unravel the art deeper into a personal mystery that epitomizes the experience of two humans looking at each other through art. This contest didn’t generate these new perspectives and manners of looking but rather it has illuminated the spectrum of writing that has always existed. This is an art writing landscape as complex, enigmatic, and empathetic as the art it examines. Get reading!” — Matt Kalasky, Co-founder, New Art Writing Challenge
Read MoreDear readers, today we begin publishing articles by the cash prize and honorable mention winners in the 2017 New Art Writing Challenge. Thank you to all of you who submitted your writing. Co-founder of the New Art Writing Challenge, Matt Kalasky, penned this lovely introduction for you…”I often use the analogy that art writing has become a fixed tool in the service of criticism. Like we are stuck using the same monkey wrench no matter what type of art we are talking about; no matter what type of art viewer we are; no matter what reader we are trying to reach. The winners of this year’s New Art Writing Challenge have, each in their own way, thrown aside the usual tools and have shown us the power of cooked spaghetti — or a flower — or a diary entry to talk about art. The best stopped trying to make sense of the work and started to unravel the art deeper into a personal mystery that epitomizes the experience of two humans looking at each other through art. This contest didn’t generate these new perspectives and manners of looking but rather it has illuminated the spectrum of writing that has always existed. This is an art writing landscape as complex, enigmatic, and empathetic as the art it examines. Get reading!” — Matt Kalasky, Co-founder, New Art Writing Challenge
Read MoreDear readers, today we begin publishing articles by the cash prize and honorable mention winners in the 2017 New Art Writing Challenge. Thank you to all of you who submitted your writing. Co-founder of the New Art Writing Challenge, Matt Kalasky, penned this lovely introduction for you…”I often use the analogy that art writing has become a fixed tool in the service of criticism. Like we are stuck using the same monkey wrench no matter what type of art we are talking about; no matter what type of art viewer we are; no matter what reader we are trying to reach. The winners of this year’s New Art Writing Challenge have, each in their own way, thrown aside the usual tools and have shown us the power of cooked spaghetti — or a flower — or a diary entry to talk about art. The best stopped trying to make sense of the work and started to unravel the art deeper into a personal mystery that epitomizes the experience of two humans looking at each other through art. This contest didn’t generate these new perspectives and manners of looking but rather it has illuminated the spectrum of writing that has always existed. This is an art writing landscape as complex, enigmatic, and empathetic as the art it examines. Get reading!” — Matt Kalasky, Co-founder, New Art Writing Challenge
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