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In the second part of a two-part series, Andrea reviews two books that tackle the status of performance art in the museum. Intended to be ephemeral, fleeting, time-bound, how does performance art fit in museum collection, which are by their very nature static?
Read MoreDonald reviews a collaboration between the Chamber Orchestra of Philadelphia and the Philadelphia Museum of Art, in which paintings from the collection are paired with musical compositions they have inspired. While the idea of pairing music has the potential to provoke creative dialogue, the overall result fell short of those ambitions, he says.
Read MoreArtist Marlène Mocquet offers up a savage menagerie of creatures from the darkest corners of fairy tales at the Musée de la Chasse et de la Nature in Paris. The setting, a 17th-century mansion turned into a museum dedicated to the hunt, is eerily perfect for her ceramic creations.
Read MoreKitty immerses herself in the 3 new site-specific installations at Eastern State Penitentiary–Unconquerable Soul by Piotr Szyhalski and Richard Shelton, Hakims’s Tale by Erik Ruin and Gelsey Bell, and Sepulture by Jared Scott Owen. These 3 installations explore themes of surveillance, survival, and mortality that resonate with the original function of this 19th-century prison as well as our contemporary criminal justice system.
Read MoreTo Chance, To Wander at Fjord asks, what does it mean to get lost now? Bringing together work from 12 American and Chilean artists, the show explores the themes of place, identity, memory, and our relationship with the natural world. Ephraim says this is a show to take your time with and get a little lost – in a good way!
Read MoreMichael takes in Christopher Wood’s drawing-a-day project, Frequent Exceptions, on view at HOUSE Gallery. These subtle, resonant graphite drawings pull you into a meditative state of reflection on space, tone, and the passage of time, he says.
Read MorePlayful and serious at the same time, Lenka Clayton’s Object Temporarily Removed at the Fabric Workshop and Museum raises important questions about art’s audiences and its value. Inspired by Constantin Brancusi’s “Sculpture for the Blind,” Clayton asks, what if this sculpture were really made by the blind? And what makes Brancusi so special if other artists at the same time were making similar work?
Read MoreA More Perfect Union? at the Woodmere Art Museum brings together the personal and the political, exploring the most intimate images of love and tenderness between individuals. In the current political climate, Michael says, these images, which include both gay and straight relationships, as well as interracial relationships, take on an important new urgency. This is an ambitious show, not to be missed!
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