Matthew Rose shares thoughts about performance art, upon reading Marina Abramović’s memoir, “Walk Through Walls.” He reflects on the history of the art form, looking at Marcel Duchamp’s Rrose Selavy, Yves Klein’s “Leap into the Void,” and in the 1970s, Chris Burden’s “Shoot.” Abramović’s endurance performances focus on provocation and trust and, he says, over time they betoken the artist’s persistence as a performer in the public realm.
Read MoreCongratulations are in order for many in this week’s News Post. RACSO turns 2; AAMP turns 40. Plus, Eli LaBan is nominated for College Television Emmy, the Philadelphia Museum of Art opens its doors to show its new proposed Modern and Contemporary plans, and other great news.
Read MoreWorks by two painters with different sensibilities and subjects but similar color choices have a great conversation at the University City Arts League. Ilana Napoli gets in on the conversation and tells you about it in her review. The show closes today (March 24) at 5PM. Run over and see it!
Read MoreDonald Hunt revisits an artist he loves, José James, whose performance at the intimate club, the Foundry, surprised with the artist doing an impassioned and political rap turn in addition to his beloved R+B songs from the post-election-inspired album, ‘Love in a Time of Madness.’
Read MoreAn artist travels the world studying ancient techniques and translates her knowledge into evocative contemporary works. Magdalene Odundo, OBE, is in residence at The Clay Studio until April, 2017. Artblog contributor, Kitty Caparella interviews the artist, who will speak about her work at the Philadelphia Museum of Art, Saturday, April 8, 2017.
Read MoreNews of Artblog favorite artists, Jayson Musson, Dona Nelson, Becky Suss, plus a protest of a Dana Schutz painting, some great opportunities and even more news, in today’s action-packed News Post.
Read MoreChip Schwartz ruminates on a group exhibition that parodies a birthday party. The morose and irony-tinged paintings and sculptural objects suggest the artists have long since taken off the rose-tinted glasses of childhood.
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