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Velocity Fund archives
August 16, 2023 by
Celebrate one year with Germantown’s Noname Gallery, Jane Irish and Jennifer Bartlett at Locks Gallery, Stencil workshop by David Karaswo at Palumbo Park, RAIR and Mural Arts opportunities, plus our reader’s list

Hi, this week’s a light one as we see two new exhibitions just getting ready to open at Locks Gallery and a celebration of a year anniversary at Noname Gallery. Glen Foerd will have it’s final third Thursday of the Summer with food, family fun, and live music. Take a chance at submitting your design for a Mural of Coach Dawn Staley for Mural Arts Philly. Or apply for RAIR, a residency based out of a demolition recycling center. What ever it is you do this week, we hope you have fun and stay cool. And while you’re staying cool, check out some of the readers list links to weird, wonderful and great articles and things we’ve rounded up for you.

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March 28, 2023 by
Rodrigo Valenzuela at the Print Center, Temple University MFA Thesis exhibitions, Everyday Futures Fest kicks off, Please Touch Museum workers unionizes, Hot Bed Philly Summer 2023 Open Call, plus more opportunities and exhibitions

Hi, this week we see exciting news as The Please Touch Museum elects to unionize in affiliation with the American Federation of State, County, and Municipal Employees District Council 47. Becoming one of a few unionized children’s museums in the country. Locks Gallery open’s Pat Steir’s exhibition Snow and Waterfall, marking the seventh solo show with the gallery. Da Vinci Art Alliance kicks off it’s month long community arts and science festival, Everyday Futures Fest. Featuring a series of exhibitions, workshops, tours, panel discussions and more. The Velocity Fund seeks artist applicants for grants up to $5,000 and many more opportunities, shows, and news.

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August 18, 2022 by
The Velocity Fund, a leader in Philadelphia’s arts funding ecosystem, announces 12 new awardees

Since 2018, The Velocity Fund has jump-started the funding for 64 Philadelphia art projects, spreading $300,000 to artists for cutting-edge projects with many communities.

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Comics
A black and white multi-paneled comic by Derick Jones titled Nose Bleed. This installment is part five. The story opens with a pumpkin on a fence with someone's photo attached and the words, "Later that day." The following panel exclaims "BOOM!!!" as the pumpkin explodes. Following a boy with dreaded hair and a bloody nose clenches his fists and exclaims, "Yes!" The next panel shows the man speaking to another man with black hair and an open collar shirt, they are in a trailer park, the first says, "Brett and his goons come anywhere near me this summer they're getting popped!" The other man responds, "Nah man. Way too violent." The following panel shows a closeup on both their faces, the man with the open collar begins, "We do something like that and it makes us no better than them. Plus you're way too kind to pull that off." Proceeding to a row of three vertical panels. The man with the open collar shirt continue to go back and forth with the dreaded man, "We gotta embarrass them. That way they feel how we feel." The other responds, "Great so we're gonna take the high road some more?" the other "Not exactly. We'll think of something." In the middle panel the collared shirt man walks away from the other man in his backyard. The man with dreaded hair asks, "Where you going? Let's think of something now." The other responds, "To Tilda's house." In the final panel of the row the man can be seen walking down the alleyway between houses, the dreaded man yells from his backyard, "Great, no revenge and I'm the third wheel now?" The man walking responds, "Haha! Later dude." In the next panel the front of a house is shown with someone trying to enter, it's night as indicated by the text, "Later that night." The next panel shows two people sitting on the sidewalk outside an empty lot between buildings. One says to the other, "Gary! Thank God it's you!" In the next panel we see the people speaking, one a female on the ground grabbing her knee. Gary says, "Stacey? What're you doing out her?" She responds, "Dude I totally goofed and uh twisted my uh ankle! Can you look at it?" The next four panels are backgrounded black, isolating the figures. Gary leans toward Stacey and says, "Not much I can do. Why don't we call your parents and they can come-" Stacey interrupts, "I totally would but uhmm. My phone! It's like so dead. Just like sit with me til it feels better please." The next panel the tip of a bat appears out of the dark, Gary says, "I can sit for a little bit but are you sure there's no one we can call?" The following panel the bat is shown drawn back with hands gripping it, Stacey is heard saying, "Dude my parents would totally kill me if they knew I was out here this late." the next panel blood rushes from Gary's head as a "CRAK" is heard.
 
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