Miles Orvell reviews “Site Unseen,” an exhibition of photos and neon sculptures by Laurence Salzmann and John Schlesinger.
Read MoreEach time I visited the space to see “Shotgun Inversion,” fellow onlookers seemed more or less unaware of or unconcerned by its status as a sculptural object. People leaned up against the wall or brushed their fingers against it as they passed, chain-link fence-style. A friend and I hung our arms over the waist-high partition on one side like it was a carnival booth. One visitor wondered aloud what she’d do if she dropped her phone on the other side of the structure.
Read MoreHELLO!
Sign up to receive Artblog’s weekly updates and monthly Our Picks sent directly to your inbox.