Provoked by the inaugural speech of the new president on Jan. 20, 2025, calling his second installment in Washington a new “Golden Age,” Matthew Rose writes a sidewinding story of other golden ages and the use of gold as a commodity and in art as a symbol of power and wealth.
Read MoreChip Schwartz reviews the exhibit of experimental collaborative photographs by Ahmed Salvador and James McMahon at Light Room Gallery in Fairmount.
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