On this 39 minute episode of Artblog Radio, Roberta interviews Sid Sachs about his multi-venue exhibition “Invisible City” (now closed to the public due to Covid-19).
Read MoreKemuel Benyehudah weighs in about the importance of the work and activism of Black curators in collecting institutions and the necessary decolonization work being done by local Black curators.
Read MoreAndrea Kirsh reviews “Invisible City” a multi-venue exhibition that educates and illuminates the radical, experimental, and non-traditional art scene in Philadelphia during 1956-1976, which closes April 4, 2020.
Read MoreCraftNOW marks its fifth anniversary with Craft Capital exhibition series, symposium, hands-on activities, tours, and much more.
Read MoreIn this 32 minute podcast, Wit López speaks with Adam and Sandi Lovitz about their current show, Generations, at Da Vinci Art Alliance. The show is open September 8-29, 2019.
Read MoreWit has a chat with talented printmaker and sculptor Carson Fox about her forthcoming exhibition, “Splendiferousness.” The show opens this First Friday, July 5th and runs until August 10, 2019 at Stanek Gallery in Old City, Philadelphia.
Read MoreGuest writer Susan Isaacs, a noted art historian, curator and educator, writes of a show of abstract sculpture curated by Alexis Granwell at PAFA. Isaacs speaks with Granwell about the exhibit, her curating and her art practice and says the exhibition of abstract works engages through its sensual materiality.
Read MoreAndrea Kirsh pens an appreciation of Make Me a Summary of the World, Indian-American artist Rina Banerjee’s solo show currently up at the Pennsylvania Academy of Fine Art. Densely layered in materials and meaning, this exhibition addresses the legacy of colonialism and the transnational nature of the contemporary art world through sensuous textures and bright colors. Rina Banerjee: Make Me a Summary of the World is on view through March 31, 2019.
Read MoreJessica Rizzo attends the opening for “SWARM.,” a two-person show on view through September 9 at the Pennsylvania Academy of the Fine Arts. Pairing works by Cuban-American artist Nestor Armando Gil and Haitian-born artist (and current PAFA MFA chair) Didier William, “SWARM.” frames the history of caribbean migration in terms of multiplicity, solidarity, and revolution.
Read MoreAs the first of the March, 2018, Noreasters hit Philadelphia, Roberta and another hundred or more souls crammed the PAFA auditorium to hear artist Amy Sherald talk about her life, her art and, of course, painting the portrait of former First Lady Michelle Obama, which debuted at the National Portrait Gallery in Washington earlier in the year.
Read MoreYou’ve probably seen Kelli Morgan around town, presenting her research, working with students, moderating conversations with artists, and generally staying busy as PAFA’s first Winston & Carolyn Lowe Curatorial Fellow for Diversity in the Fine Arts. Now she’s heading off on a new adventure as Associate Curator of American Art at the Indianapolis Museum of Art at Newfields. Artblog’s Imani Roach spoke with the Detroit native on the eve of her departure about her unconventional path to museum work and her fresh vision for curating the American canon. Listen to hear her advice for aspiring young curators and much more. Imani interviewed Kelli at Moore College of Art and Design’s TGMR radio station on January 3rd, 2018; the podcast is 39 minutes long.
Read MoreElizabeth Osborne has been a major presence in the Philadelphia art scene since the 1960s, when she began teaching at PAFA. She’s been showing her work at Locks Gallery since the 1970s, and A.M. Weaver says the latest show of her paintings there shows the artist at her best.
Read MoreRoberta chats with Paul Chan about his installation, “Pillowsophia,” at PAFA’s Morris Gallery. The haunting piece is a hollow hooded figure made of black nylon placed high against a wall. In continuous motion from wind blown into its cavity by a powerful and noisy industrial fan, the piece is engineered and stitched in such a way that it dances what seems like an ecstatic death dance. A response to the times, which are filled with violence against black men, the piece is powerful and emotionally moving.
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Support for Artblog has been provided by The Philadelphia Cultural Fund.