Sometimes it looks like a science fair and sometimes it looks like an art exhibit. Either way, Michael Lieberman says the exhibition, How Food Moves: Edible Logistics, is a good one to sink your teeth into.
Read MoreThe current show at Haverford’s Cantor Fitzgerald Gallery brings together a diverse group of activist artists who critique consumer culture, colonialism, and the exploitation of the planet. Their goal, Evan says, is to get us out of the gallery and into the world to make meaningful change.
Read MoreMatthew Rose offers a critical take on ’80s art wunderkind Julian Schnabel’s latest show in Paris, which features images of the god Shiva overlaid with the artist’s own interventions. Is this a genuine attempt at an artistic dialogue between East and West, or an unfortunate tone-deaf combination of art and religion?
Read MoreKathy Cho thinks about Asian Futurism, white-washing, and opportunities for activism with the Organizing for Action Fellowships. It’s always good to step outside of our social media bubbles and work with people one-on-one!
Read MoreDonald Hunt thinks about what defines American music in his review of the Philadelphia Orchestra’s recent performance of music by Leonard Bernstein, Pat Metheny and Antonin Dvorák.
Read MoreWhile I chuckled at Kelley Donahue’s satirical clay figures and found the virtuoso drawing installation by Paul Santoleri a wow both for its graphic impact and its politically-charged subject-matter, it is Joanna Platt’s “Timelines” that moved me, with its simple message of connection. The idea of shared space, shared memories, and the suggestion that technology brings us together yet keeps us apart is something we all should ponder.
Read More
