“Angela Davis – Seize the Time” brings together 220 objects, many from from the archive of Oakland’s Lisbet Tellefsen. On view are papers from her short, troubled employment at UCLA in 1969, and material from her arrest and trial for part in a fatal shootout (she was found not-guilty). During her incarceration pre-trial, Davis inspired many artists, who created work to support her case, including Elizabeth Catlett and Faith Ringgold. Some of those works are included in the Zimmerli show, along with art by contemporary artists Roberto Lugo, Coco Fusco and others, whose works are in dialog with Davis and her struggles. The traveling show is on view at Zimmerli through June 15, 2022, and moves to the Oakland Museum of California in the Fall of 2022.
Read MoreOver the past couple of decades, almost all American art museums have claimed a mission to reach out to “underserved communities,” yet none of them have acknowledged that these communities have their own well-developed aesthetics of art and material culture. They differ from the mainstream, and the institutions have not been willing to embrace aesthetic values beyond their own. The first part of “The Freedom Principle” is remarkable for doing just that: exhibiting art–and music–that was selected by a group of artists largely excluded from the mainstream of their period, who developed a different set of aesthetic aspirations and standards.
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