In this sprawling and wonderful interview, Susan Isaacs talks with Michael C. Thorpe about his varied art practice that includes quilting that uses fabrics as a palette of choices like a painter uses paints.
Read MoreAndrea sees works on paper that she first saw in the late 1960s by Anne Ryan, and notes that the highly controlled collages stood apart from the time’s big gestures by abstract expressionists. Andrea says Ryan’s collages are “important reminders… that first-rate art comes in many forms and needn’t follow the common path.” See it at Washburn Gallery, NYC, thru April 2, 2022.
Read More“Emma Amos: Color Odyssey” at the Philadelphia Museum of Art is a revelation for those who want to know the art of Emma Amos, who came up during Abstract Expressionism’s heyday and fought against abstraction in works that are complex, inventive and in several cases, stunning.
Read MoreCo-curators J. Susan Isaacs and Erin Lehman write an essay about their exhibition “All Night Party,” which places contemporary works in conversation with 20th century party dresses, drawing similarities between America’s political climate then and now.
Read MoreIn the face of COVID-19, Artblog is hosting an open call, non-juried, first come first-served online exhibition entitled “Artists in the time of Coronavirus.”
Read MoreI had the wonderful experience of taking a dozen college classmates and their spouses through the exhibition recently. Only one person had any background in art history and none of them recognized the artist’s name. I explained that Irwin’s work takes time–literally, time for the eyes to adjust. They concentrated on the floating sphere bisected by a dark, horizontal line which disappears towards the circle’s margins–and the magic began. The painting creates a series of changing optical effects which it would be useless to try to explain, and because the effects depend upon presence and time, the artist refused to have his work photographed for many years–he has since relented. Anyone who knows Robert Irwin’s work only from reproductions has no idea of what the work is about.
Read MoreLewis’ reputation has been maintained within the African-American community, and this exhibition ought to bring him the broader attention he certainly deserves.
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