In May of 2010 the Tate Modern staged No Soul For Sale, billed as a ‘Festival of Independents’ that was ‘neither a fair or an exhibition, [but] a convention of individuals and groups who devote their energies to art they believe in, beyond the limits of the market and other logistical constraints’(1). NSFS brought 70 artist collectives to Turbine Hall who exhibited alongside one another without partitions or walls. The organization of the non-fair was purportedly modeled after the set of Lars von Trier’s film Dogville(2), meaning that the non-exhibition space for each invited party was marked out on the ... More » »
Vox Populi; We’re working on it, Andrew Suggs, ed. (Vox Populi Gallery, Philadelphia) ISBN 978-0-615-31338-2 The art scene in Philadelphia is marked by an expanding community of artists, artists’ collectives and artist-run organizations, galleries, publications and events. Word gets out, but proper documentation is important for an accurate picture and for the future. In a publication recording its 21-year history, Vox Populi Gallery has provided a record of its own history as well as that of the other artists’ organizations established in Philadelphia since the founding of Painted Bride in 1969.
Judy Gelles’ video interviews about age, that show only the subjects’ mouths Perhaps I was in the perfect frame of mind for taking a good look at what two Philadelphia artists are showing at Moore College, in tandem with a group show that includes a large number of internationally known artists. The two artists are in Encapsulated Time: Age, Image and Rock ‘n Roll in the Levy Gallery at Moore. The two couldn’t be more different from each other. One of the artists is Judy Gelles, who’s from my age group and is well established in photography and video. She ... More » »
This week’s Weekly includes my review of Morgellons, the emerging artist’s show at Fleisher-Ollman Gallery. Below is the copy with some pictures. Here’s the link to the art page. And see more pictures at my flickr. Bugging Out“Morgellons” is a beautiful show filled with frustration. Roxana Perez-Mendez, (detail) Tierra Incognita Asteroide 1,2,3 and Tierra Incognita (La Lamada) 2006 deer moss, audio subwoofer, wood, glass beads, sea shells, led light, swarovski crystal rhinestones, silk florals. This piece, part of which was in her Fleisher Challenge show last year, captures much of the show’s ambiance — its push to decor, its unhappiness ... More » »