I love Amsterdam and have been visiting a close friend there regularly since 1998, but if you’ve never been to the city, this is not a good time to go. Much of the city is torn up because of large construction projects: at the train station (whose entrance is entirely obscured behind hoardings, below, and interior is also undergoing work); on major streets, where they are building a subway; and at both the Rijksmuseum and Stedelijk Museum. Both museums have a small selection of their collections on view, which is probably sufficient for tourists, but not for readers of artblog. ... More » »
The most sensational aspect of the attribution of paintings as far as the general public is concerned is the subject of fakes, despite the fact that few art historians ever encounter them. What, exactly, is a fake? A painting that appears to be something other than what it is? Not always. Traditional academic training involved copying, and a copy of one work by a student, no matter how close to the model, is not a fake. If a later owner offers the copy as the work of the master, one might use the term fake, providing the owner is aware ... More » »