[Andrea comments on a large exhibition of contemporary performance art by African-American artists, finding both the show's performances and accompanying catalog well-curated and memorable. For more information on individual artists, please see Radical Presence: Black Performance in Contemporary Art, Valerie Cassel Oliver, ed. (Contemporary Art Museum, Houston; 2013), ISBN 978 -1-933619-38-5 --the artblog editors] In New York, the exhibition Radical Presence: Black Performance in Contemporary Art was split between the Grey Art Gallery at NYU (from Sept. 10 – Dec. 7, 2013) and the Studio Museum in Harlem, where it remains on view until March 9, 2014. It does a particularly good ... More » »
(Andrea visits two galleries in New York, sees three excellent shows, and buys something. –the artblog editors) Entering Kent Fine Arts these days is disorienting, because beyond the building entryway, elevator, and usual gallery door is a perfectly-realized, functional, used book store: metal shelves full of books, an occasional easy chair, recommended titles arrayed on a table, and a separate section for children. The only thing missing is the dust that usually characterizes such places. It’s the only store in N.Y.C. devoted to second-hand, Spanish-language books, despite the fact that a quarter of the city speaks Spanish. E-publishing hasn’t fostered ... More » »
Elena Filipovic, Joanna Mytkowska, et al. Alina Szapocznikow; Sculpture undone (Museum of Modern Art, New York and Mercatorfonds, Brussels: 2011) ISBN 978-0-87070-824-4 This catalog accompanies the first substantial exhibition of the Polish sculptor, Alina Szapocznikow (1926-1973) to be seen outside Poland, and is a thorough and considered introduction to her work. The exhibition was organized jointly by WEILS Contemporary Art Centre, Brussels, and the Museum of Modern Art, NY (MOMA), where it is currently on view. I saw the exhibition in Los Angeles this winter. It is a stunner, and a reminder that the dominant theme in the history of ... More » »
Carlo McCormack in collaboration with Wooster Collective’s Marc and Sara Schiller, Trespass; A history of uncommissioned public art (Cologne: Taschen, 2010) ISBN978-3-8365-0964-0 Urban Interventions; Personal projects in public spaces, Robert Klanten and Matthias Hübner, eds. (Berlin: Gestalten Verlag, 2010) ISBN 978-3-89955-291-1 Both of these large, profusely-illustrated books address the same general phenomenon: artists’ uninvited interventions in the urban environment.
Marcel Duchamp, joker that he was, would certainly be amused at the thought that he’s the subject of an exhibition at the Smithsonian’s National Portrait Gallery, of all places. And a lively and fascinating exhibition it is! At least one federal institution is taking a liberal attitude to immigration, albeit legal, as Duchamp became a naturalized citizen in 1955.
Radcliffe Bailey Storm at Sea (2006), piano keys, African sculpture, model boat, paper, acrylic, glitter, and gold leaf 212 x 213 inches Courtesy of the artist and Jack Shainman Gallery, New York © Radcliffe BaileyI went out to P.S.1 Friday to see Neohoodoo: art for a forgotten faith, co-organized with the Menil Collection, Houston. According to the press release the exhibition challenges conceptions of insider and outsider art, as a number of the artists from North, Central and South America incorporated vernacular religious forms and practices in works that address contemporary ritual and spirituality. Vernacular expressions of faith were much ... More » »