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Alex Smith reviews the kaleidoscopic visions of Terence Nance’s SWARM, in the heart of Philadelphia, at UPENN’s ICA, through July 9, 2023.
Read MoreAlex Smith experiences Carolyn Lazard’s Long Take, an immersion in sound, poetry and dance in a darkened ICA with black screens alive with white words of poetry and the sounds of bodies moving but unseen.
Read MoreAlex Smith reviews the sculptural installations of “Henry Taylor: Nothing Change, Nothing Strange.” The 3-D work is a departure from the artist’s more well-known, humanist portrait paintings, and he scavenged materials for the installation with the help of Philadelphia’s RAIR (Recycled Artist in Residency) program.
Read MoreAlex Smith interviews his comic book partner, James Dillenbeck about the artist’s gorgeous illustrations for their joint series, “Black Vans.” Smith says James’s illustrations keep “the torch going for body-positive, fat inclusive art in such a powerful way.” The two also talk about queer aesthetics, and about making Black Vans’ queer, punk, super-hero characters undeniable.
Read MoreAlex Smith reviews Logan Cryer’s latest curation ‘Dark Sousveillance,’ inspired by Simone Browne’s research on Blackness and surveillance. The group show features Black and predominantly queer artists, examining “wanting to be seen by each other, and wanting to hide from the violence of hypervisibility.” The exhibition is on view at Vox Populi, by appointment, thru Jan. 16, 2022.
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