News January begins with a bit of sad news for Philly. One of our favorite artists and the exhibition coordinator at Artspace Liberti, Rob Matthews, is relocating to Nashville for family reasons sometime this spring. He does, however, have plans for a solo show at Gallery Joe in 2014. Farewell and good luck, Rob! Printeresting has gotten a phenomenal makeover, with a CC|Warhol Grant last year helping them devote time and energy toward a full site redesign for 2013. Andrew Jeffrey Wright’s comedy troupe The New Dreamz has a couple of outings coming up, one in Philly and one in LA. For ... More » »
Moore College of Art & Design has their front window space graced by the small but bold show All Together Now. Although the entire section displaying work is a three-walled area probably no more than 30 feet wide, there are an astonishing 17 artists with work to view. Some pieces are collaborations, but the sheer variety of content in and cohesiveness of the exhibition is certainly noteworthy. As a centerpiece for the show, there is a monitor playing the second episode of “Aloof Hills,” the dark and surreal comedy animation by Kara Crombie. This series follows a cast of characters ... More » »
News Changes for Warhol Museum The Andy Warhol Museum has announced Eric C. Shiner as its new director. A curator, professor, writer and translator, Shiner has had an academic emphasis on contemporary Asian art – specifically that of Japan. He aims to continue the museum’s plans of traveling its collections around the world and working with Pittsburgh’s business community on an international level.
We sent this press release out this morning. The grant involved was a small grant–$2,500–but it’s our grant and we love it to death. We hope it’s a precedent–for us and for Philadelphia!–l&r artblog, the Philadelphia region’s oldest and most complete source of online reviews, discussion and opinion on the visual arts, has been awarded a grant by the John S. and James L. Knight Foundation.
We’ve been making some of the rounds, talking to a variety of Philagrafika artists in The Graphic Unconscious and Out of Print exhibits. Here are some tidbits, mostly recollected, but I noted when the conversation is based on notes.
Nicholas Poyner, Self Portrait #666, 2008, Platinum, silicone and hair Given what one UArts sculpture student is showing in Philadelphia right now, the Art Institute president’s attempt at censorship of art is downright laughable (see post)–using a gun to swat a mosquito. On the other hand, Nicholas Poyner‘s horror show sculptures and faux snuff video in the 5 into 1 show are truly transgressive!! Not that I think it should be censored. Far from it. Poyner makes sculptures that are excuses for making videos or maybe it’s vice versa. The resulting works are take-no-prisoners in-your-face I-dare-you-not-to-flinch affairs. Poyner is comfortable ... More » »
Judy Gelles’ video interviews about age, that show only the subjects’ mouths Perhaps I was in the perfect frame of mind for taking a good look at what two Philadelphia artists are showing at Moore College, in tandem with a group show that includes a large number of internationally known artists. The two artists are in Encapsulated Time: Age, Image and Rock ‘n Roll in the Levy Gallery at Moore. The two couldn’t be more different from each other. One of the artists is Judy Gelles, who’s from my age group and is well established in photography and video. She ... More » »
Jackie Tileston, Opera Brain Incantation, mixed on linen Gardens become figments of the imagination on the shortest days of the year. So naturally, a show about gardens that begins as the days shorten and ends before they lengthen turns my thoughts to the divide between art and the real thing–any real thing, any art. Jackie Tileston, detail, Opera Brain Incantation, mixed on linen The exhibit is Garden in Winter, a small group show featuring work by six artists–Jackie Tileston, Margery Amdur, Bill Scott, Robert Straight, Carole Sivin and Diane Pieri–at Hopkins House in New Jersey. Each artist takes a different ... More » »
This week’s Weekly has my review of Facts Fantasies and Fictions at the Galleries at Moore. Below is the copy with some pictures. More photos at flickr.Paint MisbehavingMoore’s narrative art show is slippery and subversive. Sarah McEneaney, looking regal, in a new work at Moore College’s Facts, Fantasies and Fictions. Narrative art takes a well deserved bow in “Facts, Fantasies and Fictions” at the Galleries at Moore. The paintings by Sarah McEneaney and Christian Curiel, and video art by Matthew Suib, are three stops on a visual merry-go-round where human life is presented against lush landscapes or forlorn atmospheric wastelands. ... More » »
The deluge Steve Sherman, Figure with Breaking Wave, 2007, chalk on paper (the light reflections are not a part of the drawing) My trip to The Galleries at Moore College this past week was a little frightening–mass competing exhibitions, four in all. My reaction to the deluge of art–dive into what interested me, forget the rest. In the faculty exhibition, which was pretty much expected, some drawings of waves by Steve Sherman knocked me out. Some were pastel, but the one above is chalk on paper. I immediately thought of Richard Longo’s enormous charcoal wave, inspired by Hokusai. Sherman’s waves ... More » »Next Page »