News (Inaccurate information has been removed from this post). ICA appoints new curator The Institute of Contemporary Art has appointed Anthony Elms as a new Associate Curator. Elms has worked as an independent curator and writer, and he was Assistant Director of Gallery 400 at the University of Illinois at Chicago for six years. He replaces Jenelle Porter who has taken a position at ICA Boston.
Libby and I met recently with the new brain trust at the Philadelphia Art Alliance, Chief Curator Sarah Archer and Executive Director Molly Dougherty. In a broad-ranging discussion about Philadelphia’s art scene and institutions and the PAA’s long history as an on-again-off-again player in the city, Archer mentioned they were very interested in exploring their mission — craft and design — in a way that breaks the mold of the traditional craft exhibit with objects on pedestals and in vitrines. They want to broaden their program to include a discussion of the making of objects and the thinking behind the ... More » »
Robert A. Pruitt–the artist Robert Pruitt from Houston, TX, and not the inside-the-beltway artist Robert Pruitt from NYC–stopped by the Institute of Contemporary Art Thursday (Oct. 13, 2011) to talk about his art.
Years after 1969’s Summer of Love, it’s the fall of power to the people. More than just looking, this season galleries, museums and alternative venues all over town want you to come in, hang out, eat, discuss, make, share, and generally become an active participant in what they’re doing. There’s no city-wide manifesto, and nobody organized this fall programming juggernaut. Call it the influence of online social networking or the influence of foundations eager to fund socially-engaged programming. For whatever reason, the Philly art world wants You!
Sheila Hicks; 50 Years at the Institute of Contemporary Art (ICA), University of Pennsylvania through August 7, 2011 is likely to knock you off your feet with its power and get you high on color; it will certainly expand your idea of what can be made out of yarn and second-hand clothes. The survey of more than ninety works ranges from the monumental May I have this Dance? (2002-03), whose cable-like forms burst out of the far corner of the ICA’s double-story space and fall in loops across twenty-five feet of floor, to the series of flat works, no more ... More » »
In connection with the Exhibition, Possible Cities; Africa in photography and video at Haverford College’s Cantor Fitzgerald Gallery March 18 – April 29, 2011, a symposium, Imaging Africa will be held on Saturday, March 19, 10:45am-3:15 pm. bringing together leading curators, filmmakers, critics, and scholars to discuss the current status of African visual culture. The exhibition aims to challenge representation of Africa as either traditional utopia or postcolonial distopia, offering a more complicated picture of African cosmopolitanism.
The search for a single unifying principle–a mathematical formula, or the atom, or God–is the sort of romantic obsession that underlies the Institute of Contemporary Art exhibit Anne Tyng: Inhabiting Geometry.
The Institute of Contemporary Art (ICA) invited the artist, Virgil Marti, to create an exhibition from works in the store rooms of the Philadelphia Museum of Art (PMA), and Marti’s discoveries among the museum’s overflow, dis-attributed, unfashionable, and otherwise overlooked collections were a spur to his imagination. The objects in storage reminded Marti of the final scenes of Orson Welles’ Citizen Kane, with its panning shot of the endless, largely unopened crates of Kane’s accumulated treasures. In Set Pieces (at the ICA through Feb. 13, 2011), Marti gives previously-silent objects new lives in a sequence of tableaux sprung from his ... More » »
We sent this press release out this morning. The grant involved was a small grant–$2,500–but it’s our grant and we love it to death. We hope it’s a precedent–for us and for Philadelphia!–l&r artblog, the Philadelphia region’s oldest and most complete source of online reviews, discussion and opinion on the visual arts, has been awarded a grant by the John S. and James L. Knight Foundation.
The plane to Chicago for the College Art Association (CAA) Annual Meeting left from a concourse I rarely use so I saw different art than usual as part of the airport’s Exhibition Program, which certainly provides the best distraction I’ve found at Philadelphia International Airport. Nick Kripal’s Swarm was a terra cotta landscape of an alternative, multi-culti character with forms cribbed from the kitchen cabinets; what looked like a Moorish dome turned out to have been cast from a pudding mold! I’d love to see him do animations based on them.« Previous Page — Next Page »