This week we have many gallery listings and a few new exhibitions that are set to open. Friends of The Artblog are doing big things, Taj Ra’oof Nahl will be exhibiting a new work titled Cross Pollination happening at four different sites. Lane Timothy Spiedel, one of our writers, will be reading from two of their books at Partner and Son. Vox Populi is set to open four new exhibitions in early May. PAFA is holding a series of workshops, presentations, and tours for Indigenous People’s day providing an opportunity to learn about the Lenape of Philadelphia as well as Indigenous immigrants. Something I’m particularly excited about is the Clay Studio spring pottery sale. I hope you all find something fun to do in this nice weather. Enjoy yourselves!!
Read MoreLogan Cryer writes lyrically about ‘David Dempewolf: suncatchers,’ an experimental video installation of stereoscopic imagery with a focus on emptiness and interior spaces. ‘David Dempewolf: suncatchers,” is on view at Tiger Strikes Asteroid through June 26, 2021.
Read MoreMichael Carroll reviews the latest exhibition by local artistic genius “Gabriel Martinez: Bound to the Past.” The display is centered on the summer of 1981 and the importance of that point in time as a cultural and political moment in LGBTQ+ history. Martinez’s work will be on display through October 20, 2019 at Marginal Utility gallery located at 319 N. 11th Street, Philadelphia, PA 19107.
Read MoreOlivia Jia visits Marginal Utility’s current two-person show, “#WEHAVENOPRESIDENT,” featuring work by Sarah McEneaney and LeRoy Johnson. Here she admires the devotional diligence of their projects and explains why all anti-Trump art is not created equal.
Read MoreSome solo shows are like conversations, Roberta says. Some are like monologs and some are like mission statements. Astrid Bowlby’s “When the shadow is not your shadow” is a conversation that leans towards a mission statement, and the mission is communication, about important things like love, loss, death, redemption, and engagement in the world.
Read More“Night Room” is an immersive experience in which you keep discovering new things, not because of its complexity, but as a result of the purity and simplicity of its components. Its changing perspectives on light and color, together with subtle, unexpected details–some of string, some of light–that you might overlook, are intriguing and satisfying.
Read MoreWick’s work invokes feelings about the earth we inhabit, about our fragility and vulnerability, about our fears and our passions, and about what we are doing to the earth and to each other.
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