If you’re still thinking there’s a big divide between art and crafts, the 7th International Fiber Biennial will set you straight. Much of the work reflects social and artistic concerns and all of it is beautifully made. The exhibit, at Snyderman Gallery, features fiber art from 61 artists, who come from as far away as Denmark and Korea, with 15 of them from the Philadelphia area. Among my favorites are two pieces about America’s long-term contentious issue–race. One is from a white artist, one from an African American artist, and as always, the subject is loaded with feelings.
Deer Head Doily by Shannon Robinson, doily and machine stitching, 2005 This year digital processes have taken over in the world of fiber and in quilts, but it almost seems irrelevant to me, except that warps and woofs talk especially loudly to the weavers and quilters and beaders who think in pixilated grids. For the most part, the digi stuff is just a tool and a process. (Of course fiber folks are process crazy, just like print folks, and some of these artists are both.) What’s relevant are the beauty and variety, and the input into the Contemporary Art conversation. ... More » »