Post by Roman Blazic The Shadow Lands at Little Berlin is a very ambitious presentation that produces a cautionary point of view and shows art in an evolving process. The key element is a non-linear approach — with action and interaction between the artist and the participating spectator.
On a fair weather First Friday, Old City bustles with galleries full of people and streets lined with craft vendors, musicians and performers. It’s positively festive. But every day across Philadelphia, artist-run collectives present a different art scene that in many ways is more exciting. In the last five years, Little Berlin, Extra Extra and other artist-run spaces have sprouted up in neighborhoods such as Kensington and Chinatown, where rents are cheap and raw spaces lend themselves to edgy experimental art. This is a gritty scene run by young people who want to do it themselves. The artists know each other and ... More » »
Locks Gallery sponsors this episode. Tyler Kline grew up in the small town of Stone Mountain, GA, a once-magical place with lakes and a pine forest and flowering magnolias and weeping willows. Tyler felt the heavy hand of history in the south growing up, and he also felt the terror of the Atlanta child murderer in the neighborhood. The artist, who grew up skateboarding and hiking the woods, graduated this Spring with an MFA from PAFA. His work has been shown locally at Little Berlin, where he is a member, at Rebekah Templeton and Vox Populi, and before that, at ... More » »
Tyler Kline’s art is influenced by mythology, by community and by his childhood in the small town of Stone Mountain, GA, which was a pretty magical place to grow up in, with lakes and a pine forest and lots of heavy flowering magnolias and droopy weeping willows. A bit Southern Gothic to hear the young artist talk about it. Tyler graduated from PAFA with an MFA this spring. His work has been shown locally at Little Berlin, where he is a member, and at Rebekah Templeton and Vox Populi. He has made installations using sheets of aluminum foil and string; ... More » »
This year’s graduates of area BFA and MFA programs displayed their works all over town the last few months. The group exhibits showed the young artists to be continuing the trends we’ve seen now for a while: performance videos; videos in general; outsider-influenced drawing and painting; photos that play with concepts of reality; and finely-crafted sculpture (some of it made to look gloppy and not so finely crafted). Here’s a picture post for you, in case you missed the shows. We saw exhibits from: University of Pennsylvania, University of the Arts, Tyler School of Art, Moore College of Art and ... More » »
It may be a recession year, but 2010 saw a whole lot of good art stuff happening in Philadelphia. Here’s our annual awards roundup! 6 best shows of 2010 that we saw: Mika Rottenberg @Mary Boone Paul Outlaw and Jennifer Catron’s The Honeymooners @Grizzly Grizzly Value City @Little Berlin Failure to Show @Extra Extra Philagrafika @Temple Gallery (especially for Heavy Industries) Bauhaus @MoMA
I am sometimes impatient with video art. I complain about the seating (or lack thereof) the tiny screens, weird sounds conflicting as you move from one display to the next, but I am here to sing the joys of three shows where video is a pivotal element. This weekend is your last chance to see the shows at Little Berlin and Great and Terrible Collective, while the wonderful live!infili! at Rebekah Templeton has already finished. These shows include sculpture, drawing, animation, installation, and sound and light displays, but each showcases video in a unique or adventurous way.
Little Berlin’s group show, Forecast, places work by newly admitted members of the collective alongside pieces by founding members. As the press release notes, with a moderating dash of sarcasm: “Get a glimpse into the future through the artwork we make. Hence the clever title, FORECAST.” Indeed, the show gives a sense of what’s happening—some good, some still coming along—here in Philly. New collective member Leslie Rogers’ video account of a mugging, “The Meeting,” is undoubtedly the highlight of the show.
Rebekah Templeton’s Sample 3 rounds up four first-year Master of Fine Arts students, whose paintings, sculpture and video are as professional looking as—and in some cases more interesting than—a lot of mature work shown in some galleries. The prices are reasonable—from $250 to $2000, for a large oil painting— and a purchase here is a good value for a collector.
Here’s my review of the show at the Weekly. Below is my copy with some pictures. “Vox V,” the national juried emerging art show, demonstrates that childhood memories, loss and sadness – themes at play in the art world for at least fifteen years — are still major obsessions.
Next Page »