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Thank you Artblog for 20+ years of speaking out. You will be missed.

Ruth Wolf expresses consternation and concern about what's going on in the world today. She is worried "about the safety and the direction of our country." She asks what role can and does art play and answers that art is an act of resistance. Her exhortation at the end is a call to make art, "Inhale courage, exhale art." We agree.

A painting in muted colors of beige, yellow and pink, punctuated by highlights in black and red shows a short-haired woman standing at a window aiming a machine gun and above and below the gun are figures that look like they are dancers or acrobats leaping and falling in the air.
Ruth Wolf, ‘Cassandra.’ 36” x 48” Acrylic, graphite, paper on canvas

Recently I’m worried about the safety and the direction of our country.
I am witnessing the rapid dismantling of the infrastructure of art, culture and democracy.
Funding is being cut from arts programs, due to “misalignment of interests.”
Institutions are rewriting their mission statements or closing.
Books are being removed from classroom shelves.
Tariffs are increasing the costs of art materials.
Voices are silenced.
I believe actions by “the state” not only acknowledge the power of the arts, they are actively inculcating doctrine through the oxymoronic duo of virtual-reality and artificial intelligence.
Can art help relieve this anxiety, comfort the disturbance
while also disturbing the complacent?
I wonder, is there an aesthetic of resistance. How does resistance interface with anxiety, with critical thinking, integrity and individual expression.
Or, rather, every work of art is an act of resistance.
What IS the role of the artist and the gallerist? The artist captures and records the temperature of the times; the gallerist fosters community and dialogue. With art we have a voice.
Inhale courage, exhale art.

A dramatic old master painting by Eugène Delacroix shows a bare breasted woman carrying a French flag in the midst of a melee that looks like a revolution, with dead bodies in the foreground and people with guns charging forward with the woman and a city in smoke behind them.
Eugène Delacroix, ‘Liberty Leading the People,’ 1830