It seems to me that Matt Mullican doesn’t present ultimate solutions to these questions, but he ostensibly reveals a structural nexus behind the visual world driven by an archive of signs and symbols.
Read MoreRabbit, Rabbit, Rabbit is a large show of varied works by artists who are most often behind the scenes promoting, administering, manufacturing, and educating in support of the renowned artist-in-residence program or other contemporary exhibitions held at the museum.
Read MoreThe nature of Devil’s Pool is truly gorgeous, but what Kaufman’s eye dwells most lovingly on is the people, especially their gestures, the body language of those standing on the rocks, flying through the air, or hanging around in the water. She’s also good with faces.
Read More“Remembering, Repeating, and Working-Through” is a short but extraordinary paper written by Sigmund Freud in 1914. I have been reading it for years with unshaking enthusiasm.
Read MoreFor the museum, this exhibit of Indian contemporary photography is a great complement to the PMA’s commitment to Indian art. For Philadelphians, the show is a great introduction to work that has not been widely exhibited here before.
Read MoreThe color combinations of these works create an illusion of depth, opacity, and even motion: the orbs seem to pulse.
Read MoreThe political art product might not be an immanent active one, but its power seems to lie in the possible artistic influence to gradually transform social-political thinking.
Read MoreThe works of Meksin, Sack, and DeMuro are introspective, thought-provoking, and push against some of the boundaries that the curators sought to explore. However, I thought that Kati Gegenheimer’s drawings, although pleasing in their own right, did not fit in.
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