My favorite description of chamber music has to be by Richard Walthew. In a 1909 lecture, Walthew referred to chamber music as the “music of friends”.
Read MoreFor many middle-upper class people who experienced (or have relatives who experienced) the booming financial glory and suburban development of post-WWII USA, Becky Suss’ paintings may look just like home. Or, for anyone in love with mid-century modern design, they may look like your dream home.
Read MoreBehind a hidden doorway down a back alley in Clerkenwell, London, a small but succinct show brings together a remarkable range of meditations on one of our most integral yet subtle cognitive tools: the line.
Read MoreBayside Revisited is Gabriel Martinez’s elegy, and perhaps also his eulogy, to a rare place and to a community where gay men were free openly to express their sexuality in the early 1980s. The exhibition is a celebration of that place and that freedom, tragically punctuated by the devastating epidemic of AIDS, which killed thousands of gay men in the decade that followed and derailed an emancipating sexual revolution that had flourished with promise in the 1970s.
Read MoreIn The Past is a Foreign Country, Francois-Xavier Gbré uses architectural photographs of West Africa and elsewhere to bring us face-to-face with failed construction projects that came from the mouths of politicians and CEOs who promised prosperity but failed to deliver.
Read MoreEnter Bridgette Mayer Gallery–a space well known for its contemporary displays of landscape, photography, and the modern medium–and home to Experience of Place. The current exhibition highlights the works of Eileen Neff and Sharon Harper (Bridgette Mayer veterans), Jessica Backues, Michael Eastman, and Brea Souders, and creates a dialogue between five different artists translating their vision of place.
Read MoreWhat happens when an artist’s art becomes more than just that? What are you to do when your art is now a manufactured brand? These are some of the questions that Opera Philadelphia and the Bearded Ladies Cabaret’s world premiere of ANDY: A Popera (also part of the 2015 Fringe Arts Festival) asks the audience head-on.
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