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Samuel Brown writes a thoughtful review of Joakim Ojanen’s recent show “Snake Pit” at The Hole NYC! Buy yourself a bus ticket and catch this quirky show– a world building installation filled with odd, anxious, cheeky, and playful characters– before April 14th, 2019!
Read MoreMandy Palasik, architect, writer, artist and art lover, makes a journey to Chester County to the home studio of the late master of woodworking, Wharton Esherick, and finds the wood surfaces irresistible to the touch (which is encouraged!) in the house Wharton built. Mandy recently reviewed the Becky Suss paintings at Fleisher-Ollman, based on that artist’s experience of the home studio. Suss’s paintings are now on view at the Esherick Museum, a great pairing.
Read MoreArtblog contributor Matt Kalasky speaks with Daniel Park and Arianna Gass (via telephone!) of the team of “Obvious Agency,” a multi-media game and interactive experience group. The “Obvious” team comes from theater and performance backgrounds and works to immerse people in fun activities in galleries and museums. The podcast comes to us through the courtesy of The Galleries at Moore’s radio station, TGMR. The interview is 26 minutes long.
Read MoreLogan Cryer writes an insightful appreciation of the Women’s Mobile Museum culminating exhibition. The group photography show by — and depicting — women involved in the year-long project at PPAC, has some great self-representation, and Logan concludes that photography is the best medium with which to examine issues of who is normally represented in art works and who is normally excluded. The exhibition is up at PPAC through March 30.
Read MoreIn her review of Cecilia Vicuña exhibition, Andrea Kirsh calls the works — little cobbled-together objects tacked to the walls or arrayed on a low platform on the floor — marvels. But these objects are not nothings to throw away but objects with magical shadows and poetic meanings, and their mystery delights.
Read MoreSam Brown sees a provocative show at Second State Press of printed posters made by the group “Prints for Protest.” He appreciates how many different ways artists in the show connect with protest issues alive today.
Read MoreSarah Kim visits the exhibit at the William Way Center and views art whose materials defiantly separate it from traditional mainstream art. Altars made with found materials; altered photo-portraiture; drawing installations and collage, made by six artists, the art is metaphorical and symbolic of the state of being in flux, in transition. Kim’s powerful writing leads you through the exhibit, adding insightful commentary and insights. After considering this show about fluid states of identity, Kim concludes that ultimately, selfhood is the experience itself, and art, which is based in objecthood, can point the way.
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