The five nominees for short live action films showing at the Ritz at the Bourse don’t waste much time getting down to business, starting with the French entry, “Ennemis Interieurs,” directed by Selim Azzazi. The fictional story is set during the Algerian civil war (1991-2002) and at a time when French citizens on French soil were being targeted by terrorists. The two main characters of the film, known simply as the Applicant and the Interrogator (both from Algeria), enact an interview for French citizenship. If you ever have been through an interview for citizenship in the west–and I am speaking from experience–there aren’t too many pleasant moments in which you feel like you are welcome during the interrogation about your background, name, or religion.
Read MoreIf you’re reading this, you probably know that Artblog has been in the Philadelphia community since 2003 and that our mission is to promote discussion of art as an important component in strengthening civic engagement. We are especially committed to broadcasting community voices that are often overlooked and marginalized.
What you may not know is that we welcome letters to the editor. Please get in touch with us at hello@theartblog.org with the words “Letter to the Editor” in the Subject line. No anonymous letters, please. Love, Roberta and the Artblog team
Read MoreFor this Reader Advisor, I have been thinking a lot about resources and strategies of self-care and healing. Some are experiencing their first time being politically active, others are continuing on their marathon. Being constantly politically active, immersed, and empathetic will likely be draining for most people.
Read MoreArt that wants to be small – how intriguing. But isn’t it a strange notion, one that you would probably not consider unless you were thinking about extremes of size?
I want to say that art works (or not) based upon a myriad of factors, size being only one of many. But here we have eighty-five works of art — a multiplicity of viewpoints, media and materials – that actually work well together and, for reasons that I think are idiosyncratic, want to be small.
Read MoreBy controlling the atomizer, the thing that makes paint into microscopic droplets, the street artists were fighting the atomization of modern man. It was a rebellion against the psychic colony—f–k your copy! It’s what EKG touches on his “Technologies of Human Nature,”a wall-sized hierarchical chart created on black paper with orange oil sticks. He attempts to summarize street art’s ideological foundation, when he writes “bomb the semiotosphere!”
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