Imani reviews Poorly Watched Girls, a series of multi-media environments created by Suzanne Bocanegra at the Fabric Workshop and Museum. This complex body of work, in turns mournful and playful, will be up through February 17, 2019.
Read MoreImani speaks with Philly-bred, Baltimore-based artist Rosa Leff about her chosen medium of cut paper and her affinity for the urban landscape.
Read MoreImani speaks with emerging artist, curator and poet Malachi Lily about shape-shifting, leadership and making space for nuanced representations of blackness.
Read MoreFounded in 2017, YallaPunk is an intersectional, trans-affirming performance festival and conference which celebrates the creative achievements of Middle Eastern and North African people in Philly and beyond. Here Imani Roach chats with YallaPunk’s founder, DJ and journalist Rana Fayez, about what to expect from this year’s festival (August 31 – September 2).
Read MoreImani visits the Blackstar film festival to see “Mr. Soul!,” a new documentary about late-1960s television broadcaster, Ellis Haizlip and his pioneering Black arts variety show Soul!. Here she speaks with the film’s cinematographer Hans Charles about his approach to documentary filmmaking and his new role as a producer.
Read MoreImani attends the first of three screenings at Lightbox of archival footage from NEWSREEL, an activist film collective that operated during the late 1960s and early ‘70s. Against the inescapable backdrop of America’s current moral crisis, this series takes a sobering look at the social and political upheavals of 50 years ago and the independent journalists who documented them.
Read MoreA new book highlighting the career of performer, artist and experimental musician Laurie Anderson is out now from Rizzoli Publishing. “All the Things I Lost in the Flood: Essays on Pictures, Language and Code” follows in the footsteps of Anderson’s 2015 experimental film “The Heart of a Dog,” drawing inspiration from the great losses of life.
Read MoreImani Roach visits local artist Frances Beaver at her Fishtown studio to chat about her recent video project, Sex of the Earth, and her evolving relationship to narrative and performance.
Read MoreIn Part Two of our 2-part coverage of the new documentary, Imani gives her take on how Sara Driver’s film about Basquiat’s early years both fits and breaks the mold. Boom For Real: The Late Teenage Years of Jean-Michel Basquiat is now playing at Ritz at the Bourse. See Roberta’s review from last Friday for even more to chew on.
Read MoreImani talks to Trenton Doyle Hancock about “Moundverse Infants” his new installation of collected and commissioned “dolls” at Temple Contemporary through July 27th. Inspired in part by the Clark Doll Test, as well as by Hancock’s desire to take play seriously, the exhibition includes both new work created in collaboration with Tim Rusterholz of Tyler School of Art’s sculpture lab, and highlights from The Philadelphia Doll Museum’s collection of 20th century black dolls.
Read MoreThe Women’s Mobile Museum is a year-long project by the Philadelphia Photo Arts Center which brings renowned South African Photographer, Zanele Muholi to Philadelphia to engage with a group of ten local women who are interested in media arts and museum studies but have not had significant access to formal training in these areas. Imani sat down with Muholi and two of the program’s apprentices, Shasta Bady and “Muffy” Ashley Torres, to discuss their hopes for the project and their journey thus far.
Read More“Activist Songbook,” a collection of 53 contemporary protest songs derived from community interviews, launches Thursday May 3rd at Asian Arts. Composer Byron Au Yong and Lyricist Aaron Jafferis speak with Imani Roach about collective action and how Asian American narratives complicate the American racial landscape.
Read MoreSueyeun Juliette Lee speaks with Imani Roach about her site-specific installation and performance piece, Piece Light, which premieres on Thursday May 3rd as a part of the Asian Arts Initiative’s 25th anniversary celebration weekend. They talk collaboration, the future of the Korean peninsula, and the boundless imagination that peace requires.
Read MoreImani is still thinking about her trip to Volta last month. In particular, she reflects on “The Aesthetics of Matter” — this year’s curated section by Mickalene Thomas and Racquel Chevremont, which featured artists Tomashi Jackson, Troy Michie, Devin N. Morris, Christie Neptune, Kameelah Janan Rasheed, David Shrobe, Didier William, and Kennedy Yanko. While their work mines the political potential of collage across a variety of media, the surrounding context of the fair raises important questions about the political labor that African American artists and curators perform in the global contemporary art market. Volta NY 2018 was on view March 7th-11th at Pier 90 in Manhattan, NY.
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