Ward’s “Shelter” is, I thought, the most provocative piece in the show. I’ve included an image with a separate detail shot of the piece. The architecture is so strange.
Read MoreIt seems to me that Matt Mullican doesn’t present ultimate solutions to these questions, but he ostensibly reveals a structural nexus behind the visual world driven by an archive of signs and symbols.
Read More“Remembering, Repeating, and Working-Through” is a short but extraordinary paper written by Sigmund Freud in 1914. I have been reading it for years with unshaking enthusiasm.
Read MoreTanner’s works on paper are initially gorgeous, a respite for the senses. But fragile, awkward moments point to uncomfortable relationships between forms.
Read MoreLewis’ reputation has been maintained within the African-American community, and this exhibition ought to bring him the broader attention he certainly deserves.
Read MorePerkins curator Alan Willoughby says about Poacelli, who teaches a class in mixed media at the art center: “I love her work. She has a great sense of color, layering, space and vibrancy. She is constantly producing, and people are not tired of looking” at her art.
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