Calling it Faith Ringgold’s “moment to shine,” Janyce Denise Glasper writes about the experience of spending an entire day immersing herself in Faith Ringgold’s detailed expressive works at The New Museum and ACA Galleries. She comments that Ringgold “invested so much in her brave, revolutionary practice. The audience must perform that same duty to her.” Both shows are up until early or mid-June, 2022. Links and more information at the bottom of this post.
Read MoreProvoked by the placement of Emma Amos’s art at the Philadelphia Museum of Art, an exhibit at the same time as the Jasper Johns exhibit, which seemed to put the Black woman artist’s works subsidiary to the white male artist’s, our contributor Janyce Denise Glasper muses on the two concurrent museum exhibits of Jennifer Packer (at the Whitney Museum and at LA MoCA), and says “Jennifer Packer shifts the narrative to where they (Black artists) can land if given the opportunity.” We hope you enjoy this thoughtful essay by a passionate young writer thinking about the power imbalance in the art world today.
Read MoreArtblog contributor Andrea Kirsh visits the Philadelphia Museum of Art on Martin Luther King, Jr. Day and follows their “Works by Black Artists” guide which is now available alongside museum maps. Andrea’s Art History-informed observations are vivid and insightful.
Read MoreKinaya Hassane reviews Acori Honzo’s latest exhibition at Cherry Street Pier: This is Our Story, closing Saturday, March 7th.
Read MoreMichael gives a glowing review of “To My Unborn Child,” an imaginary elegy from visionary Black Panther Fred Hampton to his son. Premiering at the 2017 Fringe Festival, the play Michael says, “makes no attempt directly to connect Fred Hampton’s story to issues that beset the African American community today, but the connection is as obvious as it is heartbreaking and disturbing.”
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