Janyce talks with the late Betty Blayton’s younger brother, Oscar, who is working with the artist’s archive and shares much of Betty’s history of an artist in New York from 1960-2016, where she was friends with many Black artists and founding director of the Harlem-based Children’s Art Carnival.
Read MoreJanyce Denise Glasper sees an exhibit by Njideka Akunyili Crosby in New York at David Zwirner Gallery.
Read MoreBlaise Tobia and Virginia Maksymowicz visit the Art on Paper Fair in New York and report on good booth presentations by Philadelphia Galleries like Stanek, Commonweal and Bertrand Productions — and by Billy Dufala’s project curated by Nato Thompson and presented by Fleisher Ollman Gallery. Commonweal’s booth showcases drawings by Anne Minich, and the booth was a hit with Hyperallergic and the Art Newspaper. Take a little trip into the art fair with the photos and fresh commentary. You will enjoy it!
Read MoreTasso Hartzog visits iMPeRFeCT Gallery for their 10th Anniversary Exhibitions, featuring playful shows by three artists: Sheldon Omar-Abba, Mateus Kaplan, and Ben Peterson! The internationally dirty gallery (and at times, dirty artwork) makes for a varied set of work that’s united by its approachability, playfulness, and perspective. The three shows are on view June 4 – July 16, 2022. Don’t miss it!
Read MoreIn this first of a planned series of interviews with Philadelphia gallerists, Elizabeth Johnson talks with Pentimenti director, Christine Pfister, whose passion for art and artists fuels her 30-year old gallery in Old City.
Read MoreSusan Isaacs interviews artist Nanette Carter, whose journey includes years as an art educator, as well as 17 years as a full time professional artist sustaining herself through sales of her work. An amazing story. Nanette Carter is featured in a 2-person exhibit at Towson University now through April 23. Be sure to catch it is you’re in the Baltimore area.
Read MoreToday’s news is filled with local interest: Artist Mikel Elam was asked to reimagine the Liberty Bell and what it symbolizes. He fashioned a sculptural mask called “A muzzle to silence you,” from materials that suggest the history of enslaved Africans.
Read MoreAndrea sees works on paper that she first saw in the late 1960s by Anne Ryan, and notes that the highly controlled collages stood apart from the time’s big gestures by abstract expressionists. Andrea says Ryan’s collages are “important reminders… that first-rate art comes in many forms and needn’t follow the common path.” See it at Washburn Gallery, NYC, thru April 2, 2022.
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