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Be respectful when a space has “success” in your city. Be proud of them, if that’s what they wanted. Call them out if they still use the word “alternative” to describe themselves, especially if they don’t talk about their stake in our community and society in general. Understand that “artist-run” does not mean anti-institution or DIY. We are being tricked by capitalism, which makes us believe that we are providing alternatives, that we are allies to social movements, while we are actually mirroring society’s systems of oppression. Work by yourself in your basement because, according to everybody, it is impossible to avoid capitalism. If we do participate at all, though, we need to own up to the fact that we are perpetuating deep-rooted systems.
Read MoreGary Johnson is the performance artist candidate we’ve been waiting for. Or, more specifically, he sometimes utilizes performance to communicate his ideas. Often, it is read as “class-clown” humor (which is a fair observation) but there is a part of me that respects his acknowledgment of non-traditional forms of communication. Unfortunately for Johnson, however, when you are running for president these performances are only effective when they articulate a nuanced understanding of complex issues rather than deflect or derail the conversation at hand.
Read MoreClean, neat, and unused are the words I think when I think of the new Mormon temple downtown. Pristine. It’s by the main library. I’m inside on a tour, and the walls are covered in photo-realistic, figurative depictions of piety, biblical scenes, scenes of a Sunday-school nature. It harkens back to simpler time when there was no doubt, in America at least, of who Jesus was ethnically speaking. Mormons, if nothing else, are unabashedly white, which gives me the odd feeling of relief.
Read MoreInspired by cultural icon Ulises Carrion and unwittingly ushered in by cultural icon Jeff Bezos, Ulises brings Philadelphia a much-needed art bookshop and a one-of-a-kind culture center to add to the rich mix of cultural spaces in North Philly. Welcome, Ulises.
Read MoreIn the cut and paste art world, perhaps the single most influential artist was the German Kurt Schwitters. Galerie Zlotowski, a small Rive Gauche gallery, has brought together 13 small collage and assemblage works, dating from 1918 through 1947, that offer a range of Schwitters’ poetic investigations.
Read MoreFor this week’s Reader Advisor, I was thinking a lot about creating and sharing space and content, and what it feels like for any marginalized group to see yourself represented and acknowledged within those contexts.
Read MoreAt 91, Lorrie Goulet’s dedication to the carver’s art is unwavering, even though she cannot wield the carver’s tools like she could as a young woman. Throughout a recent wide-ranging conversation I had with her at her home and studio in Chelsea, I was struck by Goulet’s deep commitment to the physical work of carving, its tools, techniques, and materials. Her eyes light up and her gestures become animated when talking about stone, its myriad types, colors, and textures. For Goulet, stone–her primary material–is alive, and each stone has its own personality. “I put my life with the stone’s life,” she told me, following up with “I don’t have many stones left.”
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