Viewed post-Paris, post 9/11, “White Homeland Commando,” for all its formal wizardry, seems both too long and almost offensively cool.
Read MorePhotographers have always turned to natural (or unnatural) environments for inspiration and probably always will, often when they become overwhelmed or discouraged by the anxious hum of the city.
Read MorePerkins curator Alan Willoughby says about Poacelli, who teaches a class in mixed media at the art center: “I love her work. She has a great sense of color, layering, space and vibrancy. She is constantly producing, and people are not tired of looking” at her art.
Read MoreWhen you walk into the exhibition, you feel like you are walking into a planetarium or peering through a telescope or microscope, dark matter perhaps beating in the background.
Read MoreIndependently run artist exhibition spaces play an important role in today’s world of contemporary art. But the public has in large part tragically abandoned them for an art world dominated by big-box commercial galleries, blockbuster museum shows, and mega-mall art fairs.
Read MoreThere is something fascinating, even profound, about the notion of an African immigrant community in China, as there is about the large population of Chinese, who have received much attention, now living in Africa. Little Road North is part of the narrative that documents and studies the viability of such immigrant communities.
Read MoreThe 28 Mexican artists in Strange Currencies mainly developed time-specific, action-based, and socially engaged practices. In documentary photographs, videos, sculptural and auditory installations, and intermedia assemblages, their works visualize a DIY mentality.
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