For over a decade, Massachusetts-based artist, Gina Siepel has been using woodworking and other craft techniques to grapple with the myth of self-reliance and its relationship to both gender and nationalism. Here Levi Bentley speaks with Siepel about “Self-Made,” her current installation of objects, video and documents at Vox Populi, and pens a thoughtful response to the exhibition’s central themes. We can’t recommend this show enough, so read on and catch it before it closes on December 16, 2018.
Read MoreNew Artblog contributor Deborah Krieger visits Maria Dumlao’s latest solo exhibition at Vox Populi Gallery, “History in RGB.” Comprised of densely-layered, multi-colored posters set amongst draped mosquito netting and potted tropical plants, this work imagines colonialism (in Dumlao’s native Philippines and beyond) as a cacophony of myths and half-truths. Colored film viewfinders, installed along the gallery wall, approximate a kind of worldview by allowing visitors to literally filter their experience of work and its histories. “History in RGB” is on view through April 22, 2018.
Read MoreCarl(os) Roa visits Mina Zarfsaz’s Dead Ringer, a multimedia installation on view through January 21st at Vox Populi Gallery. An assemblage of found objects and recorded voices sandwiched between two mirrors, this absurdist sculpture begs for audience participation, and Roa puts himself right in the scene.
Read MoreThe news of an early-morning fire in the Vox building came in too late for our regular Tuesday News Post, but we pass it along to alert you to the sad story.
Read MoreArt & History, together at last, in this tour of the Callowhill neighborhood and its artist-run art spaces! Join us for an Art & History tour of the Callowhill Neighborhood with Hidden City’s Pete Woodall, this Friday, May 5, 2017, from 6:00–8:30pm.
Read MoreBittersweet news – Bree Pickering, Executive Director of Vox Populi Gallery, is leaving Philadelphia for a wonderful job back in her home country, Australia, to take on the Directorship of MAMA, Murray Art Museum Albury, New South Wales.
Read MoreTim Portlock talks with Libby and Roberta about his high-tech works on paper, made from 3-D imaging software, but which reference 19th Century heroic landscape painting. He tells them he doesn’t see his works as photographs, but as paintings. The interview is 17 minutes long.
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