Quantcast

Tag Archive "institute-of-contemporary-art"

Tim Portlock, "Sunrise-the extended constructivists re-render."

Ruffneck Constructivists rumbles at the Institute of Contemporary Art

[Chip fills us in on a group show dealing with urban issues, curated by artist Kara Walker. -- the artblog editors] When confronted with the idea of the urban landscape and its veritable overload of stimuli, it’s safe to say that there are as many interpretations of cities as there are individuals and intersections therein. Curator Kara Walker attempts to coalesce the impossibly complex concept of contemporary urban culture into an 11-artist exhibition at the Institute of Contemporary Art, which she calls Ruffneck Constructivists; the show is Walker’s retooling of Russian Constructivism focused on the front-line forces shaping our society–intentionally or otherwise–each ... More » »

Kara Walker, Auntie Walker’s Wall Sampler for Civilians (detail), 2013. Courtesy of Sikkema Jenkins & Co., New York © Kara Walker.

Fighting dirty — Kara Walker’s first UK show and upcoming curatorial project

[Katie reviews a controversial show at London's Camden Arts Centre by American artist Kara Walker, and discusses whether the artist is reinforcing or battling racist stereotypes. -- the artblog editors] As I enter, there it is spelled out in bold lettering on the glass doors: “We at Camden Arts Centre are Exceedingly Proud to Present an Exhibition of Capable Artworks by the Notable Hand of the Celebrated American, Kara Elizabeth Walker, Negress.” Even reading this title to Kara Walker’s first major solo UK show is itself somewhat discomfiting; its phrasing carries airs of times past, of printed playbills, hyperbolic flatteries, ... More » »

Mike Kelley, Fortress of Solitude

Mike Kelley at MoMA PS1 – California performance and installation art connection

(Elizabeth sees the Mike Kelley show at MoMA PS1 with her friend, the West Coast artist Lani Asher, and they talk about the California common denominator to a recent spate of art shows in New York and Philly.–the artblog editors) Joining the hipster crowd on a Sunday at PS1, San Francisco artist Lani Asher and I encounter Mike Kelley’s provocative, disturbing childhood themes in a cheerful, kid-friendly setting, circumnavigating strollers, toddlers and babies being lifted to see. Most of the kids giggle and enjoy the  spectacle, dazzled by the bright colors, dark spaces, catchy music and fuzzy toys. Shocking video ... More » »

Frances Stark  'The Inchoate Incarnate: After a Drawing, Toward an Opera, but before a Libretto Even Exists' (2009)

Thematic Exhibitions at the ICA, Grizzly Grizzly and Locks Gallery play with body adornment, materials and art history

White Petals Surround Your Yellow Heart at the ICA Self-adornment is surely homo sapiens’ first art form: body painting, scarification, tattooing. Garments that offer anything more than basic protection from the elements or environment can be said to participate in that tradition. White Petals Surround Your Yellow Heart at the Institute of Contemporary Art (ICA), University of Pennsylvania, through July 28 takes a broad, and as the title’s reference to Ovid suggests, rather poetic view of the subject. The exhibition, curated by Anthony Elms, makes no distinction between attire that was worn (RAMMΣLLZΣΣ) and clothing forms meant to be exhibited ... More » »

The artist formerly known as Candy Depew.

News post – Day Without Art-World AIDS Day, Alex Da Corte in Dublin, opportunities and more!

News For its 23rd year, the Institute of Contemporary Art is combining the annual Day With(out) Art with World AIDS Day, December 1, 2012. This year, Philadelphia HIV/AIDS and LGBQT activist join Penn undergraduate students for a lineup of programs including ribbon-making and film screenings. The Ribbon Bee, held from 11:30 AM-1:30 PM at 118 South 36th Street, is accompanied by speakers such as artist-activists Joy Episalla and Carrie Yamaoka (who are also participants in the roundtable discussions accompanying the film screenings). The film screenings take place at the International House from 2-4:30 PM; they are Kiyoshi Kuromiya: A Queer Left and ... More » »

Caroline Furr,

News post – Doppelganger at the PMA, happy anniversary to MUSE Gallery, Furr + Rose at Young Masters, opportunities and more!

News Open Air, happily, was a resounding success. During this project’s September 20-October 14 span, brought to Philadelphia by the Association for Public Art and artist Rafael Lozano-Hemmer nearly 6,000 iPhone recordings in over 20 different languages were made, and more than 17,000 visitors came to the Ben Franklin Parkway. The Open Air website is up permanently, allowing people to listen to the recordings and vote for their favorites. It’ll be tough to narrow down: aside from some heart-tugging marriage proposals, there is the 127-message “Voices of Philly” archive of famous local voices. To learn more about the project, visit The Creators Project, the press release here, and some wonderful high-res photos. ... More » »

Floria Gonzalez, "We'll be ok/vamos a estar bien." Digital photography on cotton. Courtesy of Magrorocca, Milan and PINTA.

News post – Obama re-elected, Patricia Goodrich all over the world, Theodore Harris at AAI, opportunities and more!

News The dust and dollars of the election season have finally settled, with victory for President Obama and high hopes for the next four years. If you’re looking to read up on the implications of his win for the art world, take a look at some stats on his positions on the arts, courtesy of Art League. Relief for Hurricane Sandy’s victims continues, especially in the battered arts community of New York. Among the organizations that have intervened to provide assistance, PINTA, which honors ­Latin American art with an annual art fair, has converted this year’s Art Fair (November 15 to 18, ... More » »

Jenny Sabin's myThread Pavilion.

News post – Farewell to the Slingluffs, Print Center fall events, Jenny Sabin’s FlyKnit, Tim Eads at DUMBO, opportunities and more!

News The Delaware Art Museum  began its outstanding centennial celebration in November 2011, and is now preparing to conclude with the 2012 Centenniel Juried Exhibition on October 20. Including a vast number of artists artists living either in Delaware or within 100 miles of the Museum, the Centennial is guest-juried by John B. Ravenal, the Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the Virginia Museum of Fine Arts. The Opening Reception takes place  on October 19 from 5-7pm, and the show continues until January 13, 2013. Check the site for a full list of artists. In keeping with the Data Garden’s ... More » »

Open Shutter, Study for My Studio, 1974 watercolor, © Andrew Wyeth.

News post – Woodworks opens, Jayson Musson at ICA, Daniel Wallace curates in NYC, opportunities and more!

News Through the Heritage Philadelphia Program (HPP), the Pew Center for Arts & Heritage has awarded $766,325 to six local organizations, including two first-time grantees; the winners include the Preservation Alliance of Greater Philadelphia, for their effort to revitalize the John Coltrane House in North Philadelphia, and the Mural Arts Program, for Structure and Surface, a community-based public art initiative about the history of Philadelphia’s fallen textile industry. The full list of grantees and descriptions of their projects is on the HPP site. The Brandywine River Museum is offering exclusive “Andrew Wyeth Experience Tours” on selected days in April and May. The studio where Wyeth worked, which has undergone ... More » »

Jennifer Bolande, Movie Chair, 1984, Wooden chair, velvet seat, bronze, enamel pt, light stands, lights, pedestal (photo by Roberta)

Jennifer Bolande’s Landmarks at the ICA

“Landmarks” at the ICA is the first major survey of Jennifer Bolande‘s influential works, mostly of photos re-imagined as objects and vice versa. The exhibit of 40 works, curated by Nicholas Frank, is better than my experience at the artist’s walk-through suggested. But I went back again because I found myself thinking about Bolande (pronounced bo-LAND-dee) in relation to contemporary work I have been seeing around town. Bolande’s work on exhibit is from a 30-year period beginning in 1980. Specifically, I was interested in returning because of the conversation in my head between Bolande’s photographic inquiries and those of Matt ... More » »

Next Page »