Natalie Sandstrom

October 9, 2019 by Natalie Sandstrom

Expanding ‘outside,’ Lisi Raskin and Jesse Harrod’s ‘Mending and Repair in Response’ at Fleisher Ollman

Natalie Sandstrom visits “Mending and Repair in Response,” an exhibition of works by Lisi Raskin and Jesse Harrod at Fleisher-Ollman Gallery. The show closes on October 26th, 2019.

August 28, 2019 by Natalie Sandstrom

Julian Hoeber’s playful romp through architecture and art history at Rosenwald-Wolf Gallery

Natalie Sandstrom visits Julian Hoeber’s solo exhibition at Rosenwald-Wolf Gallery at the University of the Arts and writes a thoughtful review about Hoeber’s art history and philosophical influences and his playful conceptual sculpture.

August 12, 2019 by Natalie Sandstrom

Additional Assembly Required at AUTOMAT, a whimsical, textured group exhibition

Natalie Sandstrom visits “Additional Assembly Required,” AUTOMAT collective’s 2019 Open Call exhibition.

July 31, 2019 by Natalie Sandstrom

Three Philadelphia museum curators discuss Bill Viola’s moving new media works, in panel at Barnes Foundation

Artblog contributor Natalie Sandstrom attends a program at The Barnes Foundation about the life and work of Bill Viola, whose videos are now on view at the Barnes, Pennsylvania Academy of the Fine Arts and the Fabric Workshop and Museum.

June 18, 2019 by Natalie Sandstrom

Little Berlin’s ‘Make Room for Me,’ a thoughtful, slow-paced look at art by Middle Eastern queer and femme artists

Natalie Sandstrom reviews “Make Room For Me” at Little Berlin, a video- and photography-heavy show featuring eleven Middle/ Near Eastern queer and femme identifying artists.

May 22, 2019 by Natalie Sandstrom

Pressure and resonance at the Print Center with James Siena and artists who type

Natalie Sandstrom reviews “James Siena: Resonance Under Pressure” and “New Typographics: Typewriter Art as Print” at the Print Center.