Natalie Sandstrom reviews the latest exhibition at Automat Gallery, CAMP Philly. A group show of works by Kelly Dzioba, Zach Hill, and Natasha Le Sourd, it explores the wackiness and superficiality of camp within the arts. Catch the show before it comes down on February 1st.
Read MoreArtblog contributor Natalie visits Moore College of Art and Design to see the exhibition “Visionary Women.”
Read MoreNatalie Sandstrom visits Wexler Gallery to review a collaborative exhibition featuring new works by artists Roberto Lugo and Mat Tomezsko.
Read MoreNatalie Sandstrom reviews ‘Back and Song,’ an exhibition by filmmakers Elissa Blount Moorhead and Bradford Young installed at Girard College.
Read MoreNatalie Sandstrom visits Julian Hoeber’s solo exhibition at Rosenwald-Wolf Gallery at the University of the Arts and writes a thoughtful review about Hoeber’s art history and philosophical influences and his playful conceptual sculpture.
Read MoreNatalie Sandstrom visits “Additional Assembly Required,” AUTOMAT collective’s 2019 Open Call exhibition.
Read MoreArtblog contributor Natalie Sandstrom attends a program at The Barnes Foundation about the life and work of Bill Viola, whose videos are now on view at the Barnes, Pennsylvania Academy of the Fine Arts and the Fabric Workshop and Museum.
Read MoreNatalie Sandstrom reviews “Make Room For Me” at Little Berlin, a video- and photography-heavy show featuring eleven Middle/ Near Eastern queer and femme identifying artists.
Read MoreNatalie Sandstrom reviews “James Siena: Resonance Under Pressure” and “New Typographics: Typewriter Art as Print” at the Print Center.
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