—Sometimes lost in discussion of Keith Haring is his work’s political edge. Matthew tells us all about it in his review of the Paris exhibit of the artist’s works.–the artblog editors————————–>It’s hard to believe that the ever-youthful icon of the 1980s New York Artworld has already been gone 23 years. Keith Haring, the most famous subway scribbler the world has ever known, took chalk and markers and finally paint and canvas, and spread his scribbles across pretty much everything in his path. An expansive exhibition of his more political works – touching upon the state, media, capitalism, racism, nuclear and ... More » »
Three hundred years ago getting to Versailles, the celebrated French seat of power, was a bit of a slog through muddy country villages. Only 20 or so kilometers southwest of the Eiffel Tower, the trip was made by horse or coach or worse, by foot, and could take the better part of a day. But Revolutions have consequences. Today for about $8.50 you can now jump on the RER C suburban railroad from a handful of stations along the left bank, and shoot over to Versailles in half an hour. And your coach might be a royal one. One in ... More » »
News Open Air, happily, was a resounding success. During this project’s September 20-October 14 span, brought to Philadelphia by the Association for Public Art and artist Rafael Lozano-Hemmer nearly 6,000 iPhone recordings in over 20 different languages were made, and more than 17,000 visitors came to the Ben Franklin Parkway. The Open Air website is up permanently, allowing people to listen to the recordings and vote for their favorites. It’ll be tough to narrow down: aside from some heart-tugging marriage proposals, there is the 127-message “Voices of Philly” archive of famous local voices. To learn more about the project, visit The Creators Project, the press release here, and some wonderful high-res photos. ... More » »
Back in September, I was solicited over the Internet to exhibit at the Select Art Fair at Miami’s Catalina Hotel. I was, according to the e-vite, the kind of artist that should take advantage of a unique art fair opportunity during Art Basel’s annual Miami art orgy (December 5 – 9, 2012). The pitch: For only $4,800 I would be able to show my work in a hotel room – one of only about 60 – right around the corner from Art Basel Miami. The founders proposed the curious idea that I could sleep in my gallery space! I wrote ... More » »
In 1998 I met the German artist Gloria Zein in Paris. We were on the street near my house in the 14th arrondissement. She handed me a postcard. It was a cross between a BYOA (Bring Your Own Artwork) and dinner at her house in Paris: one had to cut a circle out of her card and insert a “sign of our existence” into it – an assignment with tape, staples or whatever was handy. Since then I have been following Gloria’s career with wonder. In 2002 she asked her male friends to send her photographs from the Internet of their ... More » »
Our TGV train clocked the trip from Karlsruhe to Paris (@281 miles) at a little over 3 hours. The train passed through lush farm lands, crossed the Rhine at Strasbourg and steamed into Paris, where we logged another hour between subway and walking before we reached to our Hotel du Parc Montsouris, in the 14th Arrondisement. I am not complaining! We were in Paris! We loved being near the big park and Stella jogged there along with all the rest of the folks running around the pond. In a city where people don’t have front yards or back yards, the ... More » »
News In the media - 1. After sixteen years in the art world, pioneering internet art publication Artnet Magazine is ceasing its publishing operations due to financial problems; all three of the sites, and its editorial staffers (Walter Robinson, Rachel Corbett and Emily Nathan) are leaving. Roberta wrote the Philadelphia Story column for artnet from 2000-2005 and then occasionally after that. Find the full report here. 2. Locally, Annette Monnier of One Review a Month is writing for City Paper–a terrific reason to read it! Annette was our sponsorship coordinator for a while and contributed some wonderful criticism to the site. Find ... More » »
Paris is awash with counter cultural pen and ink these days. Long the home of the bande dessinée (comic strip), the City has recently succumbed to the vaguely psychotic allure of one of the country’s adopted misfits: Robert Crumb. Crumb, who lives in the south of France, hit the capital with a one-man all-out visual assault of desperate men and thick-thighed women at The Musée d’Art Moderne. Visiting British cartoonist Elliot Elam dropped into town to see the big show, but also to meet another of his cartooning idols, Gilbert Shelton. Shelton, who lives in Paris, is best known for The Fabulous ... More » »
Rick Prol’s “Weegee” at the Grey Art Gallery in Williamsport, PA is a throwback to a New York when the world was black and white and crime scenes dominated the news, the streets and the public’s imagination. The artist whose career surfaced from the rubble of the East Village scene in the 1980s, captured a similar sort of crime world with his own art. Like Weegee (Arthur Fellig) who roamed New York’s Lower East Side looking for, finding and dramatizing death, Prol is also a legend who scratched the surfaces and came up with something equally unsettling and equally beautiful. ... More » »
“My one regret in life is that I am not someone else.” – Woody Allen Markus Hansen, the Paris-based German artist, is trying in more than a decade’s worth of projects to see what it might be like to be someone else, and then to confront that very notion of being someone else. Using a Felix the Cat bag o’ tricks to flesh out the narrative or even the feeling he’s someone else (you), one senses the tugging or nudging – imagine Peter Pan’s moment he lost his shadow – out of one’s singular identity. It’s a bit more than ... More » »
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