You guys rock! We’ve hit our Kickstarter goal and then some. How can we thank you? Let us count the ways with premiums. The Kickstarter premiums are still on the table. And we’re collecting donations there until Dec. 21. (The safaris costs exceed the basic fundraising goals, so all help is greatly appreciated). Love, Libby and Roberta
Pssst…Can we talk about money? I keep on getting press releases from Phillips de Pury about all the wonderful things they’ve sold, the auction records they’ve broken – Richard Prince’s “Cowboys and Girlfriends” portfolio fetching $146,500; Andy Warhol’s “Grapes” topping $104,500 – and the next pot of gold waiting in the auction markets in New York and London. And if it’s not from an auction house, the emails chime in from the art fairs in Abu Dhabi, Barcelona, Geneva or galleries in India, Hong Kong or some new white cube that just opened here in Paris.
Dan Walker has a thing for glue. The former lawyer and somewhat former film producer and writer with Force Majeure, (he’s still making films), launched his first exhibition of paper bits, tape and rubber stamps and glue in Paris, a perfect place to land when you are ready to get “unstuck” from your past and literally put your diaries on display. Born 1964 in London, the lawyer-turned-producer/writer-turned artist has always carried and worked in Moleskine books, organizing a disparate collection of the ephemera from his life, and adding texts in an effort to give these small compositions a direction (even ... More » »
News MOMA increases admission rates Thanks, Art Fag City for the depressing news that MOMA – following the Met’s lead back in June – has raised its admission rates from $20 to $25, much to the chagrin of many of its patrons. Is the extra five bucks worth the lost attendance? We shall see. Newly opened Prelude Gallery highlights student artists Prelude, the new Rittenhouse gallery, is on the scene with plans to focus on student artists and recent graduates.
When the Nazi army rolled over Paris in late spring, 1940, and occupied the city on June 14, 1940, one might say the lights went out in the world’s greatest cultural beacon. But the truth is more complex, morally and aesthetically, as artists, performers, writers and others in the Paris culture industry either co-existed or collaborated outright with the occupiers. Artists and intellectuals “survived” the war in a fashion, and others, particularly in cinema, enjoyed a “good war.” Sartre famously burnished his war credentials after the Occupation; Picasso was largely selfish and unpolitical; painters Derain and Vlaminck traveled as visiting ... More » »
Does contemporary art swing from one pole of “everything” to its opposite of “nothing”? This very casual notion stems from two French artists, Yves Klein and Arman. In the late 1950s Klein famously exhibited “Le Vide” (The Void), an empty space “sensitized” by the artist, at Iris Clert’s gallery in Paris. About a year later, Arman countered with “Le Plein (The Full-Up), filling the gallery with a ton of garbage. (Arman’s sardine can souvenir multiples from the show can be seen here). This year’s Foire Internationale d’Art Contemporain (FIAC) (October 21 -24) dances around this idea in ways probably unknown ... More » »
It’s hard to be a bad boy in the art world these days, but Mike Ballard is trying. His installation “Whose Coat Is That Jacket You’re Wearing?” fulfills a contemporary art world wet dream: A crowded display of illegally-gained goods (Armani, Diesel and other expensive brand name leather jackets, parkas, sport coats) and their contents (cash, drugs, cellphones, jewelry), all tagged, cataloged and reeking of human body odor just waiting to be returned to their rightful owners in a month-long act of contrition. What’s not to like?
After the crowds at the FIAC in Paris subside, the gathering at Paris Photo, held in the Carrousel du Louvre, creates a different kind of picture show. Intimate and targeted to serious collectors of photography, only 89 galleries, and 13 publishers including book dealers and other image merchants appear fresh and pressed in the well-appointed marble basement of the world’s largest museum.
artblog contributor Matthew Rose’s exhibition A Book About Death is in its last week at the Queens Museum. Catch it before it ends Nov. 15.
10 Questions For Peter Schuyff, after a studio visit in Amsterdamn. Painting, Music and life in the land of the Dutch Masters.
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