[Natalia offers a wonderfully in-depth exploration of MoMA’s Lygia Clark retrospective, spanning from the artist’s first paintings to her later interactive installations. — the artblog editors] Currently on view at the Museum of Modern Art, Lygia Clark: The Abandonment of Art, 1948–1988 is the first comprehensive retrospective in North America devoted to the artistic practice of the Brazilian-born, experimental artist known for her participatory works that engage the interaction of the spectator. Divided into three distinct sections, the exhibition explores the entirety of Clark’s massive oeuvre, including her paintings, sculptures, participatory works, and installation pieces. Leaving the confines of canvas ... More » »
News This weekend brings a new Slought presentation on land vacancy, with “turf tagging” by David Stephens as one of its remedies. His creations, using urban braille gardens to call attention to land vacancy in Philadelphia, form a large floor mantra (“act knowledge”). The exhibition features prototypes, templates and a mold for forming outdoor braille gardens; each template is in the shape of braille bumps and approximately six feet in width. They are accompanied by “Peel turf” (2013-2014), a series of wall constructions, which also use the same technique. The exhibition opens on Friday, July 25 from 6:30-8:30pm, with brief ... More » »
—-Maeve Coudrelle told us about MoMa’s recent Inventing Abstraction exhibit. Here, Andrea presents the catalog for the much written-about and deconstructed show.–The artblog editors ——————————– Leah Dickerman’s re-telling of the beginnings of abstraction within European and American modernism emphasizes the increased communication and availability of travel in the early Twentieth Century and their impact upon the dissemination of artistic ideas. She suggests that rather than having a singular origin with one progenitor (Kandinsky, Kupka, Delauney – take your pick), abstraction was the product of a network of interconnections among artists on both sides of the Atlantic. These cross-fertilizations were among ... More » »
One of the most talked about exhibitions of the year, the Museum of Modern Art’s Inventing Abstraction, 1910-1925 has been equally acclaimed and disparaged. The show, curated by Leah Dickerman with Masha Chlenova, tackles a mammoth objective: to chart the advent of abstraction as an interdisciplinary phenomenon spurred forward by a vast network of creative individuals. A whirlwind exhibition of over 350 works by 84 artists, including composers, writers, filmmakers, painters and sculptors, it is an overwhelming spectacle that is difficult to take in all at once. What is clear from the torrential response by art critics is that Inventing ... More » »
At a session of the College Art Association annual meeting in February (On the Social, The Relational, and the Participatory…), Martha Rosler spoke about her initial garage sale in 1973, at the gallery of the Visual Arts Department at the University of California, San Diego, and the many sales she has held since then at art venues in the U.S. and Europe. She showed images of the recent sale, held in the atrium of the Museum of Modern Art (MoMA, Nov. 17-30, 2012), which she said was her last. She remarked that it received international press attention, but there was ... More » »
Elena Filipovic, Joanna Mytkowska, et al. Alina Szapocznikow; Sculpture undone (Museum of Modern Art, New York and Mercatorfonds, Brussels: 2011) ISBN 978-0-87070-824-4 This catalog accompanies the first substantial exhibition of the Polish sculptor, Alina Szapocznikow (1926-1973) to be seen outside Poland, and is a thorough and considered introduction to her work. The exhibition was organized jointly by WEILS Contemporary Art Centre, Brussels, and the Museum of Modern Art, NY (MOMA), where it is currently on view. I saw the exhibition in Los Angeles this winter. It is a stunner, and a reminder that the dominant theme in the history of ... More » »
If you haven’t been to Long Island City (LIC), the mix of highrises and empty warehouses may appear less than welcoming. However, a few hours in the Queens neighborhood can quickly change the mind. Having only visited a handful of times, I find more to keep me on the other side of the Queensboro Bridge each trip I take. Saturday’s stop for a performance at SculptureCenter led me back to one of the best converted art spaces in New York—a trolley repair shop renovated by Maya Lin. SculptureCenter — with upstairs galleries and a dungeon-like basement exhibition space — continues ... More » »
News In the Media Iain Ball‘s show Pangea: Rare Earth Sculptures at Extra Extra is featured in this month’s issue of Art Papers. Joe Girandola‘s duct tape paintings look great in a Stylelist.com article. Zoe Strauss‘s photo-billboards appear in an editorial in the Philadelphia Daily News that compares them favorably to the city’s many murals. Amber Dorko Stopper is named Craft Editor at InCultureParent Magazine.
The clearest possible introduction to the thinking behind new typefaces is part of a larger exhibition, Standard Deviations: Types and Families in Contemporary Design, at the Museum of Modern Art, New York (through January 30, 2012), but the typography section works perfectly well on its own. Featuring the recent acquisition of twenty-three digital typefaces – a first for MoMA’s design department – this sub-section of the exhibition is the most lucid and informative introduction to design thinking I’ve seen at the museum. It’s an introduction to typography primarily for readers, rather than designers.
by Dennis D’Alesandro Upstairs in a large, fancy chamber of the storied Mutter Museum, the sold out crowd eagerly buzzed in anticipation of the world premier of the Quay Brothers‘ latest film, titled Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos and Afterbreezes in the Mutter Museum). Billed as the greatest coupling of subject matter and filmmaker that has ever been proposed in the history of art, surely the Quay’s dark-macabre style would present the strange and gruesome collections of the museum in a perfect mysterious pitch!Next Page »